Tag: Dan Overgaard

Dan Overgaard: “Lift”

Posted on by asitoughttobemagazine

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Lift

I hear some geese
way high above the house,
and take it as a signal I should
give the weeds a break,
straightening up to watch
their raucous progress
stitching across the sky.

It’s May and they’re heading north,
but their noisy vee seems like
the shake-down run of a new team—
exuberant and slightly ragged,
happily, loudly, running drills,
all that rah-rah energy of a new season.

The lead goose looks back over
his or her wing as if to yell
at the kids on the bus, and veers a little,
doing this. Her wobble’s copied precisely
all the way out the right side of the vee—
and last goose whipsaws, like the last kid
in a game of Crack the Whip.

According to the Scientific American,
scientists still do not agree on how to describe
the basic principles of lift, what keeps
planes in the air. If I spoke Goose I could help
them investigate, but I can see from here
it takes a lot of practice.

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About the Author: Dan Overgaard was born and raised in Thailand. He attended Westmont College, dropped out, moved to Seattle, became a transit operator, then managed transit technology projects and programs. He’s now retired and catching up on reading. His poems have appeared in Santa Clara Review, Sparks of Calliope, Across The Margin, The Galway Review, Shark Reef, Willawaw Journal, As It Ought To Be Magazine, Canary Lit Mag, Allegro Poetry, Triggerfish Critical Review and other journals. Read more at: danovergaard.com.

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More by Dan Overgaard:

Drifting Off

Donations

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Image Credit: Digitally enhanced image from The natural history of Carolina, Florida, and the Bahama Islands:. London :printed for C. Marsh [etc.]1754. Courtesy of the Biodiversity Heritage Library.

AIOTB Magazine Announces Our Nominees for the 2021 Best of the Net Anthology

Posted on by asitoughttobemagazine

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As It Ought To Be Magazine is proud to announce our nominees for the 2021 Best of the Net Anthology, published by Sundress Publications.

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Nadia Arioli: On “I Walk Without Echo” By Kay Sage

Frank Gallimore: The Shape of My Name

Ken Hines: What the Children Know

Dan Overgaard: Drifting Off

Ilari Pass: Delayed Rays of a Star

Melody Wang: All That My Mother Cultivates

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Congratulations to our nominees, and thank you to everyone who contributed to AIOTB Magazine this year!

-Chase Dimock
Managing Editor

Dan Overgaard : “Donations”

Posted on by Chase Dimock

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Donations

           for Huan

I’m thinking, as I bag these for Goodwill:

Four sport coats, hardly worn. I never quite
achieved the habitude of wearing them.
As coats they never kept me warm or cool.
They always made me want to shuck them off
as soon as they were on. I couldn’t sit
without some bunching, or some extra flap
that needed constant tending while I talked.
As costumes—I could never do the strut
with quite the right mix of insouciance
and casual, confident authority.
Perhaps my years in other uniforms
had cooked me too far in to act in these.
So, here you go—good luck with them—I hope
the sleeves will let you reach the things you need.

Twenty-some ties. I’m saving my favorites
for—who knows?—statistically, some funerals are
more likely now than weddings, but we’ll see.
The latest science says I could have used
the oxygen their knots had throttled up,
which makes me wonder—but it’s too late now.
Like any other homeless thoroughbreds,
they have the memories of their days of fame—
the compliments they gathered, dancing home.
They all believe they might have one more race,
and want to prove it if you’ll bet on them.

Eleven stalwart shirts. They’re lightly worn
but ready to stand up with dignity,
and should convey the buttoned competence
to nail a clause with some authority
or wrap a deal and walk it through today.
The sleeves are ready to be rolled again.

I list these on the form, but hesitate
to estimate their worth. I wish I could
include the lessons that I learned in them.

Baggy from sitting, squirming marathons,
my trousers feel too worn to be of use.

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About the Author: Dan Overgaard was born and raised in Thailand. He attended Westmont College, dropped out, moved to Seattle, became a transit operator, then managed transit technology projects and programs. He’s now retired and catching up on reading. His poems have appeared in Shark Reef, Willawaw Journal, As It Ought To Be Magazine, Glass Poetry: Poets Resist, The High Window, Canary Lit Mag, Shot Glass Journal, Allegro Poetry, Triggerfish Critical Review and other journals. Read more at: danovergaard.com.

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More by Dan Overgaard:

Drifting Off

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Image Credit: “Men’s fashions, 1896” from The Library of Congress

Revisiting 2020: Our 50 Most Popular Posts of the Year

Posted on by asitoughttobemagazine

 

 

Dear As It Ought To Be Readers,

 

Despite everything 2020 threw at us, AIOTB Magazine was fortunate to receive so many brilliant poems, essays, interviews, and book reviews from writers around the world. Below, I have assembled the 50 most popular posts of the year based on the amount of hits they received. I know that few people will look back at 2020 with fondness, but maybe reviewing these posts from the year is a reminder of the resilience people have to continue to create in a crisis, and to channel the anxiety of the world into writing that connects us.

AIOTB Magazine was perhaps the only constant I had in 2020 that began and ended the year exactly the same, and completely intact. I have all of you contributors and readers to thank for that. Thanks for keeping me sane and connected to a community of writers when I most needed stability, creativity, and human connection in my life.

I have no idea what 2021 will look like, but if you keep reading and supporting each other’s work, you’ll at least have three new pieces a week on AIOTB Magazine to count on.

 

-Chase Dimock
Managing Editor

 

Poetry

Omobolanle Alashe:

Jason Baldinger:

Rusty Barnes:

Jean Biegun:

Victor Clevenger:

John Dorsey:

Ajah Henry Ekene:

Loisa Fenichell:

Jeff Hardin:

John Haugh:

Mike James:

Jennifer R. Lloyd:

John Macker:

Tessah Melamed:

THE NU PROFIT$ OF P/O/E/T/I/C DI$CHORD:

Hilary Otto:

Dan Overgaard:

Rob Plath:

Daniel Romo:

Diana Rosen:

Damian Rucci:

Leslie M. Rupracht:

Anna Saunders:

Sheila Saunders:

Alan Semerdjian:

Delora Sales Simbajon:

Nathanael Stolte:

Timothy Tarkelly

William Taylor Jr.:

Bunkong Tuon:

Peggy Turnbull:

Brian Chander Wiora:

 

 

Reviews

Chase Dimock:

Mike James:

Arthur Hoyle:

 

 

Interviews

Chase Dimock:

 

Nonfiction

Brian Connor:

Cody Sexton:

 

 

Micro Fiction

Meg Pokrass:

Dan Overgaard: “Drifting Off”

Posted on by asitoughttobemagazine

 

 

 

Drifting Off

Years later, I was trying to describe
the way mom lost and left us, how she died
in tiny slips that carried her away
while we were watching. Where the image came
from, I don’t know—we never had a boat—
but I could see the way she drifted off
was like a rowboat, gently rocking in
a very light but cool, persistent breeze.
The line that held her to the dock had frayed
and slackened, as she slowly edged around
to face the open lake, and not the dock.

I said it, and it seemed like I could feel
the ripples of confusion blowing in.
We couldn’t reach the rope, or pull her back.
Another little gust, don’t know which one,
showed how she’d finally finished with the dock.
We couldn’t hear the splash, but she was gone.

Some shadows cross a lake that’s growing dark.
A breeze has pushed an old rowboat away.
It’s not a memory, but it carries me.

 

 

About the Author: Dan Overgaard was born and raised in Thailand. He attended Westmont College, dropped out, moved to Seattle, became a transit operator, then managed transit technology projects and programs. He’s now retired and catching up on reading. His poems have appeared in Canary Lit Mag, Shot Glass Journal, Allegro Poetry, Sweet, Triggerfish Critical Review, Poets Reading The News, The High Window and elsewhere. Read more at: danovergaard.com.

 

Image Credit: Frances Benjamin Johnston “Harrietta, McClellanville vic., Charleston County, South Carolina” (1938) The Library of Congress