SATURDAY POETRY SERIES PRESENTS: MARISA CRAWFORD



By Marisa Crawford:


I’m too sensitive for this world / this Foot Locker

Oh right, the bomb
Sorry so boring
300-year-old wiener dog
China teacups rimmed in gold
Oh right, underwater
Backwards somersault, no
Outside w/ the flowers
Uhhhhhhhhhhhhhh like it matters
9th grade Metallica disaster
Cutest hottest-pink dress ever
Janie / not Janie / not over
Summer that bled into forever
See that backslash that’s the gash in my left arm
See that scar that’ll always be there
Janie’d be like, so show me so stop doing it
So eat something, J
So coconut cake bonne bell
You shoved it in my face / posted on my wall
Smell it, smells like a memory
Smells like a fake cake
This metal gate has been a gift to me
That metal guy at the party with the long hair and the gift for
Piercing the beer can / swallowing it all in one gulp
Was that the first time
He like, put his arms around me from behind
Somehow I willed it to happen w/ my mind
& then there was / a porch swing
Macbeth, my whole life, my death, everything


Poem

I like being a lil bit mean to Stephen
Wearing things that look architecture-y
Eating apple pie with my ice cream
I guess I couldn’t help it
I imagined my wedding brunch
on the tabletop catalog spread
called “A Perfect Match”
Girls at work who talk on the phone
in another language, girls who don’t
She asks me where I live in New York City
I don’t live there, I don’t live anywhere
Clip art of a nine-year-old
girl climbing a tree
leaning on her elbow
skinning her knee
VP of Creative sending an email
with the subject line “The Future”
You calling my tampon a “little mouse”
as you pulled it out



Today’s poems appear here today with permission from the poet.

Marisa Crawford is a New York-based writer, poet, and editor. She is the author of the poetry collections Reversible (2017) and The Haunted House (2010) from Switchback Books, and the chapbooks Big Brown Bag (Gazing Grain) and 8th Grade Hippie Chic (Immaculate Disciples). Her poetry has appeared in publications including Prelude, Bone Bouquet, Glittermob, and No, Dear, and she’s written about feminism, art, and pop culture for Hyperallergic, BUST, Bitch, Broadly, The Hairpin, and elsewhere. Marisa is the founder and editor-in-chief of Weird Sister, a website and organization that explores the intersections of feminism, literature, and pop culture.

Guest Editor’s Note: Reading Marisa Crawford’s poems reminds one of the feeling you get while looking through a Viewmaster. The reader experiences a gut punch of image and sensory recognition as Crawford takes the reader to the a New York City street, to a party, to a phone screen, face-to-face with a tampon. She plays on our olfactory senses. Macbeth shows up and makes us briefly feel those feelings of doom and futility in the face of human fallacies, blood trails and all. In “Poem” we confront the absurdity and futility of office life. Crawford writes, “VP of Creative sending an email / with the subject line ‘The Future,’” and with that the future unfolds. What will it taste like? What will it remind us of? She is a master of non-sentimental nostalgia. There’s a lightness of being to reading these poems, but the poems themselves are not light. They speak of the feminist and the feminine, the collective experience of being alive in these weird times.

Want to read more by and about Marisa Crawford?
Marisa Crawford’s Official Website
Buy Reversible from Swtichback Books
Weird Sister


Guest Editor Natalie Lyalin is the author of two books of poetry, Blood Makes Me Faint, But I Go For It (Ugly Duckling Presse 2014), and Pink & Hot Pink Habitat (Coconut Books 2009), as well as a chapbook, Try A Little Time Travel (Ugly Duckling Presse 2010). She is the co-editor of Natural History Press. She lives in Philadelphia and is working to befriend a flock of crows.


A NOTE FROM THE MANAGING EDITOR:

After nearly ten years as Contributing Editor of this series, the time has come for change. I am thrilled to expand my role to Managing Editor and provide the opportunity for fresh voices to contribute to this ongoing dialogue. Today and in the coming weeks, please help me welcome a series of guest editors to the newest incarnation of the Saturday Poetry Series.

Viva la poesia!
Sivan, Managing Editor
Saturday Poetry Series, AIOTB


SATURDAY POETRY SERIES PRESENTS: JEN CAMPBELL

Jen Campbell


Vaginaland
By Jen Campbell


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“Vaginaland” was previously published in English Pen “Poems for Pussy Riot” and appears here today with permission from the poet.


Jen Campbell is an award-winning poet and short story writer. She’s also the author of the bestselling Weird Things Customers Say in Bookshops Series. Her poetry collection, The Hungry Ghost Festival, is published by The Rialto and her latest book, The Bookshop Book, will be published in October by Little, Brown.


Editor’s Note: What is a girl? What is her mouth, her body, her words? Who is that girl when the world tries to hold her down and shut her up? When “She has been baked / as a blackberry pie and / now everyone wants a piece / of her”?

“Vaginaland” was originally published by English PEN as a political act. In an act of solidarity. In support of three members of the Russian punk band Pussy Riot, who were then in prison for their outspoken feminism, LGBT advocacy, and opposition to the policies of Russian President Vladimir Putin.

Who — and what — does a girl become when she stands up, breaks free, and fires out the words that are deep inside of her? When those words are political? When her voice is political? When “She says: this is the capital of me”?


Want to read more by Jen Campbell?
Jen Campbell Official Website
The Hungry Ghost Festival
The Prose-Poem Project
Jane Martin Poetry Prize 2013
The Plough Prize

SATURDAY POETRY SERIES PRESENTS: LEAH UMANSKY

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KHALEESI SAYS
By Leah Umansky

        Game of Thrones

In this story, she is fire-born:
knee-deep in the shuddering world.

In this story, she knows no fear,
for what is fractured is a near-bitten star,
a false-bearing tree,
or a dishonest wind.

In this story, fear is a house gone dry.
Fear is not being a woman.

I’m no ordinary woman, she says.
My dreams come true.

And she says and she is
and I say, yes, give me that.


(Today’s poem originally appeared via The Poetry Foundation/POETRY Magazine and appears here today with permission from the poet.)

Leah Umansky’s first book of poems, Domestic Uncertainties, is out now by BlazeVOX [Books.] Her Mad-Men inspired chapbook, Don Dreams and I Dream is forthcoming from Kattywompus Press in early 2014. She has been a contributing writer for BOMB Magazine’s BOMBLOG and Tin House, a poetry reviewer for The Rumpus and a live twitterer for the Best American Poetry Blog. She also hosts and curates the COUPLET Reading Series. Her poems have appeared or are forthcoming in POETRY, Thrush Poetry Journal, Similar Peaks and The Brooklyn Rail.

Editor’s Note: Ah, Khaleesi. Who doesn’t love her?! What an inspirational female role model, as Leah Umansky deftly expresses with today’s selection. The poet has taken a pop culture icon (of both the literary and television varieties) and brought her deeply into the realm of poetry, expressing the character’s strengths and struggles in beautiful, captivating lyric. Whether you are an avid fan of the Song of Ice and Fire series (now lovingly known as Game of Thrones, thanks to HBO) or you are unfamiliar with the stories, this is a poem we can all latch on to, can all love. How beautiful Umansky’s Khaleesi is, being “fire-born [and] knee-deep in the shuddering world,” how strong she is as she teaches us that “Fear is not being a woman.”

And may I take a moment to say how awesome POETRY Magazine has become since taking on its newest editor? I can hardly imagine today’s poem seeing the light of day in POETRY’s pages a year ago. And now it shares a home with poets such as CA Conrad and Ocean Vuong; it has finally become a publication that I am excited to read.

Want to read more by and about Leah Umansky?
Leah Umansky’s Blog
Buy Domestic Uncertainties from BlazeVOX [Books]
Thrush Poetry Journal
Brooklyn Rail
Poetry Crush
Buy Domestic Uncertainties from Powell’s Books