Karen Paul Holmes: “The Way We Know Before We Know”

The Way We Know Before We Know
for Mike James, poet (d. 12/17/23)

You were dying and I was dreaming
of you, something nice. I wish I could
be there again, a last time with you.
You were thinner, shirt weighing you down
like in recent photos I’d seen,
and dying in the dream, but still lively,
saying something Mike-like to me.

Mid-December chill, covered in layers,
I lay awake, my husband (whom you
highly approved of) deep into
his pain-pill sleep. His stillness
worried my fretful night. And finally,
the dream, then waking from it
only to get the news an hour later.

In the blackness of subconscious,
I now know: a questioning.
Were you still in the blur of hospice?
Your eyes awake, wife touching
your hand, five kids all around.
Like the five of us ringed Mother’s bed,
singing a Slavonic prayer, the priest
anointing her with attar of rose.
Was it serene that way for you, for them?

Your wife, those children, now dazed
with the dizzying grief I’ve known,
no easier even with death expected.
You’d told me it wouldn’t be long,
after all those doctors, knives, cocktails
of cruel chemicals.

You had hoped to see Christmas,
but felt thankful for so much—
soulmate, children, job, poems
you were supposed to write and did.
And I know you weren’t just saying it
(you never said anything just to please).

My last text to you was I love you.
You’ll always be my poetry buddy.

Your response: a heart icon, red and beating.

About the Author:  Karen Paul Holmes won the 2023 Lascaux Poetry Prize and received a Special Mention in The Pushcart Prize Anthology. She has two books: No Such Thing as Distance (Terrapin) and Untying the Knot (Aldrich). Poetry credits include The Writer’s Almanac, The Slowdown, Verse Daily, Diode, and Plume. She hosts the Side Door Poets in Atlanta and is grateful to Mike James who was the second member way back when it started. 

Image Credit: Chase Dimock “Calla Lily” (2022)

Larry Smith: “Proverbs”

PROVERBS
(for Mike James)

They say the moon is an orange we should not eat.
They say sweat on your neck brings good luck.
They say to brag is to cut off a toe at a time.
They say your virtues are your grandchildren; hold them close.
They say tomorrow will be like today, only the weather will change.
They say speak gently to the old, they are a bridge you must pass over.
They say robins speak to robins, crows to crows.
They say grief has many faces, depression only one.
They say kindness is a seed we plant in each other.
They say.

About the Author: Larry Smith is a poet, fiction writer, memoirist and editor of Bottom Dog Press books in Ohio. He and his wife Ann cofounded a meditation center in Huron, Ohio. His most recent book is CONNECTIONS: Moring Dew: Tanka. 

Image Credit: Image originally from The Birds of North America. New York :Published under the auspices of the Natural Science Association of America,1903. Courtesy of the Biodiversity Heritage Library

Cheryl A. Rice: “Crow Will Never Carry A Star Across the Sky”

Crow Will Never Carry A Star Across the Sky
-for MJ

“It’s not my job to carry a
self-sufficient body from dawn to dawn.
I’ve got enough on my mind,
what with gathering foodstuffs to tide me over,
making a nest sturdy enough to withstand
kith and kin, raw eggs, new babies.
Stars live lives beyond all that,
provide the only possible light
in that seamless backdrop.

It’s not a matter of choice, no choice about it at all.
Check with Blue Jay, busy bullying inbred Sparrows,
or Cardinal, flitting like a match head from bush to bush,
playing the family man so well you can almost see a
station wagon full of chicks behind him.
Goldfinch, Red-Headed Stranger,
elusive Bluebird of Happiness—
maybe one of them has time
to cart a star around there like some aged queen.

I’ve got my own agenda,
make my own rounds without help
from a creature subject to laws of gravity.
Leave me be. I’ve got a Douglass fir to investigate.
Something is shining on that uppermost branch that calls to me,
seems to be spelling my name in semaphoric signs.”

About the Author: Twice a Best of the Net nominee, Cheryl A. Rice’s books include Dressing for the Unbearable (Flying Monkey Press), Until the Words Came (Post Traumatic Press), and Love’s Compass (Kung Fu Treachery Press). Her monthly column, The Flying Monkey, can be found at https://hvwg.org/, while her occasional blog, Flying Monkey Productions, is at http://flyingmonkeyprods.blogspot.com. Rice can be reached at dorothyy62@yahoo.com.

Image Credit: Kazimierz Stabrowski “Crows- Council of Seniors” (1923) Public domain image courtesy of Artvee

Leslie M. Rupracht: “Winter Solstice 2023”

Winter Solstice 2023

In Memory of Mike James

on this shortest day of the year
my grief is long

just four days since you transitioned
from this world to realm of sweet angels
& revered poets passed

now more than ever

i picture you as marlena in pink

no longer needing to maintain

the burly john wayne façade

to appease employer & bigots alike

you were my brother-sister-confidante

you’d say there’s your TMI for the day
i’d insist there’s no such thing

& treasure your confidence

it was a privilege being your ally

a pleasure your chosen family

there’s a seat for you now at the table
of your cherished ghosts—
marlene dietrich

robert lowell

james dickey

ezra pound

hemingway

warhol

haring

rocky
brando

& wayne
as great as they were

your legacy is secure

most magnificent

is the hopeful certainty you’re with
your dearest grandmother again—
first ally
first cheerleader

first force for good
the first to really see you for you

About the Author: Leslie M. Rupracht has poems in Asheville Poetry Review, As It Ought To Be Magazine, Aeolian Harp, Chiron Review, K’in, The Ekphrastic Review, Gargoyle, Anti-Heroin Chic, Kakalak, a chapbook, Splintered Memories (Main Street Rag), and elsewhere. She completed her first full-length poetry manuscript in 2023 and hopes to find it a good home. An editor, poet, writer, visual artist, and rescued pit bull mama, Leslie is co-founder and host of the monthly reading series, Waterbean Poetry Night at the Mic, in Huntersville, North Carolina.

Image Credit: Chase Dimock “Solstice Rose” (2024)

Agnes Vojta: “Waking up in India to the News that Mike is Dead”

Waking up in India to the News that Mike is Dead

“I will bathe in memory and in loss.”
- Mike James


In the tropical night, I wake, fiddle with my phone, see the news.
You knew it was coming. My last submission. I did not expect it so soon.

I sit under a Banyan tree and study its aerial roots. I cannot remember
what you wrote about trees.

On my laptop, I re-read our chats. I want to download and save them.
As if that could keep you here.

At a deserted playground, monkeys scamper up and down the slide.
They know nothing of poetry.

I copied lines from your poems, carried them as a talisman,
taped them above my desk.

I wonder what you would have packed if you could have taken a suitcase.
I hear the list in your voice.

It sounds as if you are reading one of your prose poems.

About the Author: Agnes Vojta grew up in Germany and now lives in Rolla, Missouri where she teaches physics at Missouri S&T and hikes the Ozarks. She is the author of Porous Land, The Eden of Perhaps, and A Coracle for Dreams, all published by Spartan Press. Together with eight other poets she collaborated on the book Wild Muse: Ozarks Nature Poetry (Cornerpost Press, 2022.) Her poems have appeared in a variety of magazines; you can read some of them on her website agnesvojta.com.

Image Credit: Carol M. Highsmith “Fort Myers, a small city on Florida’s southwest coast along the Gulf of Mexico calls itself the Palm City but its most iconic leafy specimens are the immense banyan trees downtown” Public domain image courtesy of the Library of Congress

M. J. Arcangelini: “Invisible Ink”

INVISIBLE INK
In memory of Mike James

The letter from his friend came inscribed
With invisible ink. He pondered it, puzzled,
Then remembered hearing once how
To make such things viewable.
He held it over a candle’s open flame.
Just before it ignited, the words
Appeared, but the paper immolated
In his hand before he could read it.

How much more is there to be said?
His friend is dead now, gone. Ashes stirring
with the slightest breeze, drifting upward
like grey snow run backwards and projected
onto the future. Fertile memories to be
reawakened in the shadows of dusk,
harvested from the white fields holding
words he left behind unsaid, unwritten.

About the Author: M.J. (Michael Joseph) Arcangelini was born 1952 in western Pennsylvania. He has resided in northern California since 1979. His work has been published in many magazines, online journals, over a dozen anthologies, & 6 collections, the most recent of which is “Pawning My Sins” from Luchador Press, 2022.

Image Credit: Paul Cézanne “The Artist’s Son Writing” (1887) Public domain image courtesy of Artvee.

Cheryl A. Rice: “Fishing Both Sides of the River”

Fishing Both Sides of the River
-for Mike James


Between heaven and Earth is orange,
binder I’ve been missing all my life.
Only fish you catch can see in color,
but the ones that can tend to stay
on the right side of the bank.
Reds around me, peevish, gregarious,
shy away from the unmitigated optimism
that is yellow. I see orange now
as the missing link, mediator who can
bring these disparate sides of my palette
back to sanity, plum a distant cousin,
aquamarine the troublesome hue
that started all the fuss.

About the Author: Twice a Best of the Net nominee, Cheryl A. Rice’s books include Dressing for the Unbearable (Flying Monkey Press), Until the Words Came (Post Traumatic Press), and Love’s Compass (Kung Fu Treachery Press). Her monthly column, The Flying Monkey, can be found at https://hvwg.org/, while her occasional blog, Flying Monkey Productions, is at http://flyingmonkeyprods.blogspot.com. Rice can be reached at dorothyy62@yahoo.com.

Image Credit: Public domain image originally from Our country’s fishes and how to know them London: Simpkin, Hamilton, Kent & Co.,[1902]. Image courtesy of the Biodiversity Heritage Library

Howie Good: “In Memoriam”

In Memoriam


Sunday, you’ll have been dead a week. I sit at the kitchen table, laptop open in front of me, doing what I think you’d be doing in my place, writing something. You were a poet, a real one, a soldier with a flower in his helmet. I’m hunting and pecking when I suddenly hear the tinkling of Tibetan prayer bells. Five seconds – 10 max – pass before I realize it’s the new ringtone on my phone. A prim female voice announces, “Unknown caller.” I always just assumed Death would have the surly demeanor of the lunch ladies in a school cafeteria.

About the Author: Howie Good’s newest poetry collection, Frowny Face, a mix of his prose poems and collages, is now available from Redhawk Publications He co-edits the online journal UnLost, dedicated to found poetry.

Image Credit: Chase Dimock “Calla Lily” (2022)

In Memory of Mike James

As It Ought Be is mourning the loss of a great writer and friend, Mike James. When I took over as Managing Editor six years ago after the passing of AIOTB founder Okla Elliott, Mike reached out and contributed both his own work and his connections in the literary world to generate submissions. This gave the new AIOTB instant credibility, and it gave me the confidence and encouragement I needed to step into this new role. I’ve had the honor of working with and publishing countless brilliant writers because of Mike’s support. His talent as a poet is surpassed only by his talent for using poetry to build community and bring people together.

When Mike complimented publishers, editors, and other writers who used their platforms to showcase the works of others, he often liked to call them “a force for good.” It’s one of the highest compliments AIOTB has ever received.

Mike James, you were a force for good.

.

Below is a catalog of Mike James’ work on AIOTB from the past six years. It was always an honor to feature his work. In addition to poetry, Mike wrote many book reviews and essays that championed the work of the poets he admired. He was a model citizen of the literary world.

.

Poems

“Andy Says…”

“Questions and Answers”

“Code Names”

“Quotations”

“Consequences of Elections” 

“Supporting Characters” 

“Almost Autumn and Time to Go”

“Saint Jayne Mansfield” 

“Two Prose Poems”

“Gutter Angels”

“Moving Again” 

“Grace”

“Two Ghazals” 

“Paul Lynde”

“That One Singer”

“Beyond the Land of Misfit Toys”

“Oh Daddy, Give Me a Quarter for the Time Machine”

“Rebel, Rebel” 

.

Book Reviews and Poet Appreciations

Tim Peeler and the Life of the Poem

Howie Good’s Path of Most Resistance: An Appreciation

James Dickey: A Literary Life

Erotic by Alexis Rhone Fancher

Wave If You Can See Me by Susan Ludvigson

Once Upon a Twin by Raymond Luczak and New York Diary by Tim Dlugos

Beautiful Aliens: A Steve Abbott Reader and Have You Seen This Man? The Castro Poems of Karl Tierney

My Mother’s Red Ford: New & Selected Poems, 1986-2020 by Roy Bentley

Mingo Town & Memories by Larry Smith

“Dead Letter Office: Selected Poems” By Marko Pogacar

I love you and miss you, Mike.

Chase Dimock
Managing Editor
As It Ought To Be

Mike James: “tim Peeler and the Life of the Poem”

Tim Peeler and the Life of the Poem

By Mike James

Frank Bidart once commented in an interview that an emphasis on voice isn’t fashionable
in contemporary poetry. That idea might go a long way towards explaining the lack of
appreciation for Tim Peeler’s work since Peeler’s poetry is emphatically about southern
voices and southern characters. Peeler is more original than fashionable. He is of the
DIY, autodidact, mountain bred, and baseball referencing, fried bologna school of
American poetry. He is also the only member.


Some books don’t fit into categories. And some poets don’t. For a number of years now,
Tim Peeler has been creating unique, character driven poetry sequences about folks who
are neither proud nor ashamed of their poverty. Peeler doesn’t make a fetish of the blue
collar. Poverty and wealth are just reference points. Economics is part of what defines his
characters, but it is not the whole definition.


The emphasis on character is why Peeler is so hard to categorize. Though he is as
southern as moonshine, pine trees, and molasses, his character-driven writing is closer to
Chekhov than Dickey. He begins and ends with a person in a specific situation. There
may not be a problem to solve, but there is definitely an incident to examine.


There is a texture to Peeler’s poetry which comes from his deep knowledge and
appreciation of vernacular. He can use words like “whatnot” and “fixin” and make them
an integral part of the poem without drawing attention. He is not a flashy poet, but a
subtle one. He draws the reader in and pulls rabbits out of every hat he comes across. He
does this while making the reader care for characters who are often either left out of
poetry or reduced to stereotypes. There are no “types” in Peeler’s poetry. There are only
people.


Many poets are addicted to the idea of the blazing line. They are in love with anthology
pieces. Tim Peeler is not that type of poet. In his work, poetry happens as part of the
everyday. It seems to be dictated from characters at a diner, rather than created by a
solitary individual. This is not to say that the accessibility of Peeler’s sleight-of-hand
poetics is easy. He simply makes it look that way. His poems are as clear as mountain air
and just as easy to take in.









About the Author: Mike James makes his home outside Nashville, Tennessee. He has published in numerous magazines, large and small, throughout the country. His poetry collections include: Leftover Distances (Luchador), Parades (Alien Buddha), Jumping Drawbridges in Technicolor (Blue Horse), and Crows in the Jukebox (Bottom Dog.) In April, Red Hawk published his 20th collection, Portable Light: Poems 1991-2021.

Image Credit: “Craggy mountains and Dome from Rich Mountain, North Carolina, U. S. A.” (1905) public domain image courtesy of the Library of Congress