The Incredible Bipolar Hulk:
A Conversation with Poet Daniel Crocker
By Chase Dimock
The genius of The Incredible Hulk is that everyone can identify with him. All people have a reservoir of anger inside them, and we all know the painful discipline of managing anger, lest it erupt into senseless rage. The Hulk Smash is the fantasy of acting on our anger with a violent ferocity that mirrors the inner, emotional experience of pain.
In his latest chapbook, Gamma Rays, Daniel Crocker identifies with the Hulk as a metaphor for the experience of bipolar disorder. As It Ought To Be debuted Crocker’s Hulk poem “The Incredible Hulk Tries to Write a Poem” last January. For Crocker, the Hulk is more than just a momentary outburst; he is an enduring persona who embodies the manic energy of bipolar disorder. Crocker’s poems humanize the Hulk, and in turn, provide insight into the mind of the bipolar person as they navigate the impulses within them. I had a chance to ask Crocker about the Hulk and how he personifies the bipolar experience in his poetry.
Chase Dimock: The first question on anyone’s mind when they first look at your cover is going to be “Why the Hulk?” In the past, you’ve written poems in which you take on the personas of Cookie Monster, Skeletor, and George Bailey from It’s a Wonderful Life among others. What is it about the Hulk that made him worthy of an entire collection of poetry? What does taking on his persona uniquely achieve among your pantheon of pop culture icons?
Daniel Crocker: The simple answer is, I love the Hulk. I wrote one Hulk poem, the one where he goes shopping after taking klonopin, and then I couldn’t stop for awhile. I was filtering everything through the Hulk. I originally thought I might end up with a full length, but after about 20 poems I realized I was kind of done with the story I wanted to tell. But, he’s a great metaphor. Any negative aspect of your personality, especially those that center around losing control, that’s basically the Hulk. He’s the things you bury deep. In a lot of ways this books is about coming to terms with that.
So I used it as a metaphor for my bipolar disorder because you never know when you’re going to have another episode. You just try to keep them at bay with medication. Then I started thinking about what it means to navigate love and a relationship when you have this hanging over your head–when you’re not always sure you’re going to wake up okay. Unlike Shit House Rat, however, this is more about coming to terms with it. It is, I think, a happy book with a happy ending.
Chase Dimock: The Hulk has been incarnated as a comic, a cartoon, a TV show, and several movies. I know the TV show version of the Hulk the best because I grew up watching reruns. In that version, he’s somewhat of a loner who tries to manage his rage alone and channel it toward productive ways to help the people he runs into. The show always ends with “The Lonely Man Theme.” It seems like your Hulk is more like the Hulk from the comics, which places him in a romantic relationship with Betty. Why was it important to focus so many of your poems on the Hulk in a relationship?
Daniel Crocker: In the end, it’s a book about navigating a relationship while having a mental illness. In my favorite runs of the Hulk, Bruce was always afraid of his anger coming out. He would do anything to keep the Hulk away–even though it’s a part of him. He was so obsessed with finding a cure that his relationship with Betty would be strained. When I was diagnosed with bipolar, I read up everything I could on it. So, I understand that level of obsession. I also, of course, worry that my symptoms could come back at any time—even while on medication. So, I hope it shows the impact of bipolar disorder on one’s immediate family as well as just the person who has it. In the end, though, it’s just coming to terms with the monster inside of you–whatever that may be.
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