Jennifer Klein: “Beanie Baby Angels”

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Beanie Baby Angels

When I was young
I thought beanie baby wings
Were some of the closest things
To heaven
Like copper on pennies-
Priceless

The sky was always teeming with
Beanie baby angels
More real than the adult world
Flapped their wings in bliss
And dusted my seams
In copper and gold

Were they handcrafted by
So-called “real” angels?
Modern beaned cherubim
For 90’s millennials?
Our true nature reflected
In their lush, plush selves?

Threw them in the closet
Their hearts now an end note
Is that why we craved rose gold?
The color of our wings
Before we didn’t believe
In angels anymore?

About the Author: Jennifer Klein is a writer, musician, and artist. Poetry is one of her favorite ways to make social commentary and merge her inner and outer worlds. Her poems have been featured or are forthcoming in Hawai`i Pacific Review, Fahmidan Journal, Bombfire, and others. She received a bachelor’s degree in English with minors in Dutch Studies and Norwegian from Indiana University Bloomington. You can follow her on Instagram @JenniferKleinReal

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Image Credit: Detail from “Annunciatory Angel” by Fra Angelico. Public domain image courtesy of Artvee

Jason Baldinger: “this poem was written for john dorsey in the el bronco bar, richmond indiana”

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this poem was written for john dorsey in the el bronco bar, richmond indiana 

chill as fuck
across gossamer ohio
through endless western sunset 

babe, I'm sorry it was you
cancer took to the prom
when friends hear you're together
they freeze in existential headlights 

brother, I'm sorry that grief
doles out shitty drunk lap dances
no care if those duckets
ever roost in a g string 

john, I promise fried chicken
and all world shaking doom allows
in less time than a waffle house day 

I'll be on the horn to gus's 
soon as I kill the engine
in the sky high pie parking lot
maplewood is an armadillo away 

over dinner the other night
I said magic and loss
I say it often, in and out of context
a friend replied, with enough time served
magic doesn't hold sway over
the ocean of loss we worship at now 

I can't say I disagree
except the waitress who calls 
me amigo like I've never left
just delivered a grande margarita 

in the hum of three hundred easy miles
and the shine of tequila 
I won't want to buy a camper 

but I have the receipt for short walk
in lights between speedway and meijer
lights that stretch from here 
as far as midwest wherever 
you know I'll be there soon

About the Author: Jason Baldinger is a poet and photographer from Pittsburgh, PA. He’s penned fifteen books of poetry the newest of which include: A History of Backroads Misplaced: Selected Poems 2010- 2020 (Kung Fu Treachery), and This Still Life (Kung Fu Treachery) with James Benger. His first book of photography, Lazarus, as well as two ekphrastic collaborations (with Rebecca Schumejda and Robert Dean) are forthcoming. His work has appeared across a wide variety of online sites and print journals. You can hear him from various books on Bandcamp and on lps by The Gotobeds and Theremonster. His etsy shop can be found under the tag la belle riviere.

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Image Credit: John Margolies: “Package liquor store, Cheyenne, Wyoming” (2004) Public domain image courtesy of the Library of Congress

Sandra Rivers-Gill: “A Distant Hymn”

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A Distant Hymn


He owns a pre-loved sedan   
the shade of passive beige —                      
not at all rebellious or disrespectful. 
	
The four of us push open a dream,	
a distant hymn to buckle into.         	
Our journey is a shifting map.  

On Sundays the car sits in the drive,
stores up empty praises,                  
fills a collection plate of dim memory.         

I never heard a preacher’s faux sermon 
given from the pulpit of a couch — 
nor mumbling words from keys 
he keeps in his pocket.

The three of us march on		
wearing the rain of broken umbrellas.

About the Author: A native of Toledo, Ohio, Sandra Rivers-Gill is a writer, performer, and playwright. Her poetry has appeared in or is forthcoming in journals and/or anthologies, including Jerry Jazz Musician, Poets Against Racism and Hate USA, ONE ART: a journal of poetry, Of Rust and Glass, Common Threads, Death Never Dies and The Poeming Pigeon. http://www.sandrariversgill.com

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Image Credit: Chase Dimock “New Mexico Cloudscape” (2021)

Mike James “Andy Says…”

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Andy Says…

I like to get going, then just go…It’s easy in the morning because sunlight’s in every
window, curtains open…Who needs curtains if you have no shame…Wake before
sunlight, there are lamps everywhere…Anyone will tell you the light’s not the
same…Light’s better in the summer…Duh, but true…Summer means no sweaters even
for an ice queen…Scarves are year round…I walk the same summer route every day, but
the view changes…Sidewalk people look scared or studious…Leash dogs look happier
than their walkers, especially in the park…Squirrels were created for distractions…In my
park there’s a hollow tree children whisper into when lost…I was often lost as a
child…People forgot me…Once I was left at a zoo…I stared at a lion all day…I still
can’t roar…I can draw a map, but can’t read one…I have no sense of direction…If it
wasn’t for gravity I might chase a balloon…Flying might be fun on heavy traffic
days…Also, I like watching television through other people’s windows…Everyone loves
trash on television, even when they hold their noses…Trash is an equalizer…The same
on any boulevard, in any zip code…Some people travel to prevent boredom…Nothing
bores if you don’t care about neighbors…Your mother might say some scolding
things…If you turn your back she’s in another room…Close your eyes and spin around
on Dorothy days…If it can be wished true in Kansas, those wishes work anywhere…

About the Author: Mike James makes his home outside Nashville, Tennessee. He has published in numerous magazines, large and small, throughout the country. His poetry collections include: Leftover Distances (Luchador), Parades (Alien Buddha), Jumping Drawbridges in Technicolor (Blue Horse), and Crows in the Jukebox (Bottom Dog.) In April, Red Hawk published his 20th collection, Portable Light: Poems 1991-2021.

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Image Credit: Digitally enhanced public domain image of Judy Garland

Fay L. Loomis: “What He Wore, What He Said, What He Did”

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What He Wore, What He Said, What He Did

Grass-green Crocs, purple poly pants
Flowery vines climbing over coral shirt
Gamboled grin

Deep dulcet voice. “You go first.”
“No, you go.”
Lopsided dance

He sashays into the store
I amble to my car
Cock-a-hoop heart

About the Author: Fay L. Loomis, member of the Stone Ridge Library Writers and Rats Ass Review Workshop, lives a quiet life in the woods in upstate New York. Her poetry and prose are published in a variety of publications, including most recently in Kaleidoscope, Redheaded Stepchild, Down in the Dirt, and The Blue Mountain Review.

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Image Credit: Ben Shahn “Ohio farmer resting in car, central Ohio” (1938) Public domain image courtesy of the Library of Congress

Geneva Webber: “Do you think the lobsters”

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Do you think the lobsters

in the tanks at Red Lobster
are really red?
Or are they brackish and imperfect

with the blue rubber bands
around their claws?
Do you think the lobsters

know they could live
half a century
if given the chance?

Do you think the lobsters
know we have to believe
they don’t feel pain?

We sometimes believe that
about our own species too.

Do you think
the lobsters know?

About the Author: Geneva Webber is a sophomore Creative and Professional Writing major and is minoring in Political Science and Women and Gender Studies at the University of Pittsburgh at Greensburg. She is a member of the Writing Club, is Vice President of P.A.W.S. (Pro-activism With Service) and her work has been previously published in The Insider. She has lived in Pittsburgh, Chicago, and small-town Michigan, and derives much of her writing from small, intimate, personal experiences.

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Image Credit: Courtesy of the Biodiversity Heritage Library. The American lobster Washington: Govt. Print. Off., 1895.

Howie Good: “In Defense of Prose Poetry”

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In Defense of Prose Poetry

By Howie Good

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In Defense of Prose Poetry

Occasionally –  very occasionally – a relative or acquaintance will look up long enough from their phones to ask what a chapbook or a prose poem is. Their unfamiliarity with the terms suggests the general irrelevance of my writing to even people I’m related to. This shouldn’t be a surprise to anyone, and it isn’t to me, but it is dispiriting. 

According to my research (OK, Wikipedia), the tradition of chapbooks arose in the 16th century, as soon as printed books became affordable, and reached its height during the 17th and 18th centuries. 

Many different kinds of ephemera and popular literature were published as chapbooks: almanacs, folk tales, ballads, nursery rhymes, poetry, and political and religious tracts. Usually between four and twenty-four pages long, and produced on rough paper with crude woodcut illustrations, chapbooks were the reading material of the poorer classes. “Twenty-volume folios will never make a revolution,” Voltaire said. “It’s the little pocket pamphlets that are to be feared.

The term “chapbook” for this type of cheap literature was coined in the 19th century and is still in use today for short, inexpensive booklets. I’ve had something more than 40 chapbooks of poetry published since the early 2000s. It’s very much like me to succeed in an area of publishing that most people have never heard of.

Continue reading “Howie Good: “In Defense of Prose Poetry”” →

James Croal Jackson: “Poppy”

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Poppy

everywhere on the bagel, poppies
in the out of focus fields, poppies

the feeds scroll full of puppies
the home, poppies

what can you say about fireworks
has already exploded

in mouth in blood
we buds. we bud.

grandpa was a farmer
he tended to his poppies

white and wild wind
the wind. white and wild

About the Author: James Croal Jackson works in film production. His most recent chapbooks are Count Seeds With Me (Ethel Zine & Micro-Press, 2022) and Our Past Leaves (Kelsay Books, 2021). Recent poems are in Stirring, White Wall Review, and Vilas Avenue. He edits The Mantle Poetry from Pittsburgh, Pennsylvania. (jamescroaljackson.com)

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Image Credit: Chase Dimock “Poppy” (2022)

John Dorsey: “Eating Gus’s World Famous Fried Chicken with Larry Gawel”

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Eating Gus’s World Famous Fried Chicken with Larry Gawel

this is life how it’s supposed to be
larry with a long dangling mop of silver hair
just off the highway
resting his arm
on a rainy friday afternoon
talking about alaska denver
spain & tokyo
& this garage has never felt so small
a leaky freighter
of all the things i’ll never do now
as hummingbirds wait out the weather
by my window
we run into town for stamps & chocolate ice cream
my friend brian felster’s life
began & ended on a boat in alaska in 1982
before he died at 48 surrounded by love
richard hugo laughed by a stream with buddha
on a deserted montana hiking path
in the middle of the afternoon
larry’s glasses are drenched in rain
as we come in from outside
he is a springsteen song
always born to run
& he will never die
or run out of chicken.

About the Author: John Dorsey is the former poet laureate of Belle, Missouri and the author of Pocatello Wildflower. He may be reached at archerevans@yahoo.com.

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Image Credit: John Margolies “Chicken cowboy billboard, Elko, Nevada” (1991) Public domain image courtesy of the Library of Congress

Victoria Melekian: “Who Dreams Up This Stuff”

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Who Dreams Up This Stuff

Broken pull tabs, easy-open bottles that aren’t,
having more hot dogs than buns. There must be

a Supreme Being of Frustration who dreams up this stuff.
A deity who creates SUV’s and small parking spaces,

smoke alarms that die in the dark of night.
An entity responsible for plastic packaging that slices fingers,

and tab A that does not, by the way, fit into slot B.
Maybe an ad hoc committee, the same people who serve

on HOA boards policing patios, ensuring no plant matter
touches wood or stucco. They wrote the “i” before “e”

except after “c” rule and perfected the odds of a car battery
failing three days out of warranty. They’ve moved over

to the customer support phone line. You can hear them now:
“Please hang on. Your call is very important to us.”

About the Author: Victoria Melekian lives in Carlsbad, California. Her stories and poems have been published in print and online anthologies. She’s twice been nominated for a Pushcart Prize. For more, visit her website: https://victoriamelekian.com/

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Image Credit: John Vachon “Cream cans. Antigo, Wisconsin” (1941) Public domain image courtesy of the Library of Congress