True Confessions: 1965 to Now
Paperback: 151 pages
Publisher: Darkhouse (March 13, 2019)
John Guzlowski’s True Confessions: 1965 to Now is an autobiography in verse. Ranging from lyric to narrative, sonnet to free verse, elegiac to humorous, the poems have a central “I” that takes the reader into six decades of the poet’s life. They explore topics such as drugs, booze, and rock n’ roll, love (from the young and reckless to the more mature kind), teaching, parenting, Americana, the arts of poetry, and, ultimately, death. His mother and father who survived German work camps during WWII also make their appearance here as an elderly couple re-living the horrors of the Nazis in the blazing heat of Arizona.
Guzlowski writes with such honesty, humor, wit, sadness, and hope. Above all, he writes with clarity, truth, and humility. Take, for example, the poem “Grieving.”
Robert Frost’s poem “Home Burial” moves me,
but some of my students are freaked
by the thought of the baby’s coffin in the parlor,
the mom in the poem who mourns too long.
“Get over it,” they say.
Get over it?
On his death bed, my dad was still grieving
for his mom who died when he was five,
and I’m still grieving for him ten years
after his death. Grieving doesn’t stop
like a TV drama you can turn off.
Forgive me for telling and now showing
but this pain I feel for my dad and the pain
he felt for his mom are what connects us all,
as sure as the turning of the earth.
No apology is necessary here. His poem simply works in spite of the fact that (or maybe because) Guzlowski admits breaking the “show-don’t-tell” commandment for writing. The poem’s honesty, emotion, and heartfelt conviction in truth propel it forward and bring readers to an understanding of grief that connects us in our humanity.
Like his forebears (which include Whitman, Ginsberg, Kerouac, Frost, with some Dickinson, Eliot, Bellow and Faulkner thrown in), Guzlowski’s voice is that of the common man, one that invites readers into his world and entrusts us with his heart and soul. That’s the power and beauty of Guzlowski’s poetry: stripped of linguistic experimentation and the artifacts of academic theory, his poetry brings us to real and genuine human connections: love, hurt, anger, loss, joy, silliness, absurdity, hope, acceptance, and more.
If you haven’t read Guzlowski, buy this book; you will be in for one wild joyride. John’s energy is vast, imaginative, and liberating. Afterward, buy his other books, especially those about his parents, particularly Echoes of Tattered Tongues and Lightning and Ashes. Those books are raw, unflinching, and so very full of love (the love of a child for his refugee parents).
About The Author: Bunkong Tuon is a Cambodian-American writer, critic, and teacher. He is the author of three poetry collections: Gruel (NYQ Books, 2015), And So I Was Blessed (NYQ Books, 2017), and The Doctor Will Fix It (Shabda Press, 2019). His poetry recently won the 2019 Nasiona Nonfiction Poetry Prize. He teaches at Union College in Schenectady, NY.