SATURDAY POETRY SERIES PRESENTS: THE ACHE AT THE CENTER OF THE WORLD: ISRAEL-PALESTINE PEACE POETRY

Editor’s Note: Peace is always a timely topic. Today much of the middle east is in a state of political unrest. Civil wars are raging, dictators are struggling to keep the masses under their control, and citizens are taking up arms – be they in the form of guns or words – in the name of freedom. Having been born in Israel, the daughter of Israel-Palestine peace activists, conflict in the middle east has been a reality in my life for thirty years. I believe peace in the middle east is not only possible, but is an eventual reality, for Israel-Palestine and beyond.

Throughout history, poets have used their poems and songs in the name of peace. Today, rather than share a particular poem with you, I want to share with you some of my favorite Israel-Palestine peace poets. May their energy, their words, and their efforts help to bring forth peace.

Yehuda Amichai

Elana Bell

Mahmoud Darwish

Naomi Shihab Nye

SATURDAY POETRY SERIES PRESENTS: JAMES VALVIS

THE LINES AT ST. PAUL’S
by James Valvis

The nuns lined up the boys on one side, girls on the other.
We lined up knowing God loved us and Jesus was God.
We lined up understanding our place in heaven was arranged.
We lined up as boys and girls, but that was all that separated us.
Not once did we line up according to appearance or wealth,
or according to size of our breasts, or the strength of our biceps.
We didn’t line up as Democrats and Republicans, blacks and whites.
Never lined up as fats and thins, prudes and sluts, gays and straights,
We didn’t line up as believers and doubters, saints and sinners.
To the nuns, we were all sinners who were trying to become saints.
To ourselves, we were all saints who would like to one day be sinners.
They lined us up and marched us to recess, lunch, the bathrooms.
They lined us up, all the girls pretty and smiling,
all the boys tough and smirking, like it would always be that way,
like those perfect rows would go on forever and ever and ever,
like if you simply followed the person in front of you
you would get to the place you needed to be,
and for a while you dreamed it possible,
maybe you all did, even the nuns,
until one kid stopped suddenly
and the pushing started.


(“The Lines at St. Paul’s” was originally published in First Class and is reprinted here today with permission from the poet.)

James Valvis lives in Washington State with his wife, daughter, and cat. His poems or stories have recently appeared in Arts & Letters, Atlanta Review, Crab Creek Review, Hanging Loose, LA Review, Nimrod, Pank, Rattle, River Styx, and are forthcoming in Daily Science Fiction, Fractured West, Kill Author, Midwest Quarterly, Night Train, New York Quarterly, Pinyon, Sierra Nevada Review, Verdad, and many others. In addition to being a multiple Pushcart and Best of the Web nominee, a novelette was a storySouth Million Writers Notable Story. A poetry collection, How to Say Goodbye, is due in 2011.

Editor’s Note: Ah, the allure of order! The ease of being just another member of the flock! When we have no choice, when we are told what to do, life is simpler. But the easy road is more often than not the wrong road. Today’s piece functions as a philosophical commentary as much as a poem. With brilliant moments like “To the nuns, we were all sinners who were trying to become saints. / To ourselves, we were all saints who would like to one day be sinners,” and “like if you simply followed the person in front of you / you would get to the place you needed to be,” this poem contemplates the human condition in modern times, within the framework built around us by religion and society. A huge topic deftly considered in a few swift clean lines.

Want to read more by and about James Valvis?
Poets & Writers
NYQ Poets

SATURDAY POETRY SERIES PRESENTS: LISA ZARAN

By Lisa Zaran:

RETICENCE

Never
does the world
not fall into my lap.

And if God
Himself
were to send me
a private message,
would I react?

Knowing,
possibly not knowing,
reluctant in every passing
thought.

Nor trusting,
holding the weight
of every word spoken
in the palm of my hand,
looking into the not-so-distant
future of every gesture
as if behind each
was a guise
or a secret.

There’s always
the thought
that something
might go terribly wrong.

Every day
the world falls
into my lap
and every day
I’m afraid to touch it
frightened of what it might bring.


FROM BRIDE TO BURIED

It is a chorus, her mother thought
when she was born, a fragile lilt
of voices singing rise rise rise
as if her daughter were already a myth.

She was a knowledgeable child,
too trusting perhaps but never flighty,
no never that. Her center could always
grasp what her mind could not.

She learned very early to trust
her body, its rhythms and advice.
She being an only child, grew with the speed
of those shown to know everything

in corresponding order.
This is your nose, see, touch it.
These are your feet. Soon you will walk.
Out there, beyond this window, is the world.

Which is also a perception.
See that tree over there? Could be
a madman standing in utter stillness
in the breach of night. Shhhhh.

The earth is tired now. The moon is up.
Lock the door, fasten the windows.
Sleep and dream of every possibility.
For beyond this childhood you will meet

a man and fall in love. He will ring you out
of yourself. He will convince you that
you are not yours but his and at the apex
of your dependency where hands and hammers

become one in the same blunt instrument,
he will strike you again and again and again.
To seek your remains, I will pass my fingertips
over your picture. I will try to remember

the scent of your breath, your intangible life.


(“Reticence” and “From Bride to Buried” were originally published in A Little Poetry. Both poems are reprinted here today with permission from the poet.)

Lisa Zaran was born in 1969 in Los Angeles, California. She is an American poet, essayist and the author of six collections including The Blondes Lay Content and the sometimes girl, the latter of which was the focus of a year long translation course in Germany. Subsequently published to German in 2006 under the title: das manchmal mädchen. Selections from her other books have been translated to Bangla, Hindi, Arabic, Chinese, German, Dutch, Persian and Serbian. Her poems have appeared in hundreds of literary journals, magazines, broadsides, anthologies and e-zines including: Juked, Ramshackle Review, Apparatus Magazine, Hudson Review, Black Dirt, Other Voices, Kritya, The Dande Review, Soul to Soul, Nomad’s Choir Poetry Journal, Not a Muse Anthology, Best of the Web 2010, Literature: an intro to Reading and Writing by Pearson as well as being performed in Glasgow’s Radio Theater Group and displayed in SONS, a museum in Kruishoutem, Belgium. Lisa is founder and editor of Contemporary American Voices, an online collection of poetry by American poets. She is also the author of Dear Bob Dylan, a collection of letters to her muse. She lives and writes in Arizona.

Editor’s Note: Today’s poems give the reader food for thought. The first is, in my reading, a contemplation of the idea of outside forces, who or what is in control of our lives, and the responsibility we as humans have to do what we can with the opportunities and responsibilities laid in our laps. The second is a darker piece, almost cryptic, following the life of a woman from girlhood and the protection of her family home to adulthood and the abusive relationship that ends her life. Both poems are highly successful in their ability to make the reader think, perhaps outside the box of the reader’s normal thinking, and contemplate ideas and worlds that may or may not be their own.

Want to read more by and about Lisa Zaran?
Lisa Zaran Official Website
Contemporary American Voices

SATURDAY POETRY SERIES PRESENTS: RUMJHUM BISWAS

MARCH
by Rumjhum Biswas

This is not the season to be alone.
Elements in the air react against skin and heart.
Those soft inner parts that you hid all winter.
It is dangerous to be alone in March.
You can never tell what your eyes will reveal
to a complete stranger at the bus stop or bazaar. Or up the stairs
on your way to the solicitors’ office – what were you doing there
in the first place? This is not the season for lawsuits.
March is not even a season.

March is a licentious beast.
A surreptitious and stealthy time
in the name of such wild feasts
of colours and scents that within your heart
a frantic dove beats its wings and outside
the boney serrated walls, unchained ones caterwaul
calling out to all the unclenched spirits
rising up to kiss the full March Moon.

Intellect is brought down to its knobby knees.
Sagacity, caught brooding
between newly un-muffed ears, is doused.
There is much mischief afoot.

For who really knows what spirits will rule
over this flesh that lies fallen, like an over-ripe autumnal fruit?
Madness marches on scattering tidings as yellow as pollen.

Beware! Should you sniff that heady snuff, you will go
wandering. That timid dove within you will
to your surprise, let out a lusty cry.
Satin sheens of sunlit air will tear
scattering lucent dementia everywhere,
beating wild bacchanalian rhythm. Oh no!
Nothing does or ever will makes sense, in March!

Nothing at all, except the moth balls
that you have begun to tuck
inside quilts still smelling of eggnog and cake crumbs
and a whiff of that something that you
had promised yourself at the end of the year.
But, even that is not enough for March
in whose unrelenting grasp
your body becomes a chalice, overflowing.
Oh, so sweetly overflowing, in March!


(“March” was originally published in A Little Poetry and is reprinted here today with permission from the poet.)

Rumjhum Biswas has been published in countries in all the five continents in both online and print journals and anthologies. One of her poems was long listed in the Bridport Poetry Prize 2006 and is also a finalist in the 2010 Aesthetica Creative Arts Contest. She has won prizes in poetry contests in India. Her poem “March” was commended in the Writelinks’ Spring Fever Competition, 2008. Her story “Ahalya’s Valhalla” was among Story South’s Million Writers’ notable stories of 2007. Her poem “Bones” has been nominated for a 2010 Pushcart by Cha: An Asian Literary Journal. She was a participating poet in the 2008 Prakriti Foundation Poetry Festival in Chennai. She was a featured poet during the Poetry Slam organized jointly by the US Consul General, Chennai and The Prakriti Foundation in December 2009. In December 2010 she was a participating poet at the first Hyderabad Literary Festival organized by Osmania University and Muse India.

Editor’s Note: “March is not even a season. / March is a licentious beast.” It is evident to me that Rumjhum Biswas resides in a place that has seasons. Living out my first full year in New York, I am for the first time aware of the painful end of winter that is March. Here it is, officially spring, but the wind does not listen, the rain does not listen, the snow, sometimes, even, does not listen. There is no longer month than March; its 31 days dragging on achingly, the promise of warmth around a corner that is perpetually out of reach. Today’s poem caught my eye and my heart because the poet has captured the spirit of this dreadful month in the way only a poet can. This is the anthem of March! March, a month-long “unrelenting grasp” harsh against the “soft inner parts that you hid all winter.” Today, for Rumjhum Biswas and for my fellow New Yorkers I say Farewell March! Welcome April, welcome warmth and sun and life!

Want to read more by and about Rumjhum Biswas?
Rumjhum blogs at Writers & Writerisms (her official blog), Polyphagous, and has a monthly column (Rumjhum’s Ruminations) at Flash Fiction Chronicles.

SATURDAY POETRY SERIES PRESENTS: AMORAK HUEY

DOROTHY VISITS THE CYCLONE IN THE CONVALESCENCE HOME FOR NATURAL DISASTERS
by Amorak Huey

“The cyclone had set the house down
very gently – for a cyclone – in the midst
of a country of marvelous beauty.”
– L. Frank Baum

I know you seek scarlet-toed memories,
small dogs, doorbell songs, but my stories
these days happen outside my apartment window:

rock quarry sparks & flares all night,
I watch dusk-smeared men holding hands,
if there’s no wind I hear them singing.

Our lives are littered with what we do not say,
unkempt promises. Do you ever
think things should have been different READ MORE

SATURDAY POETRY SERIES PRESENTS: JAMES MEETZE

from PHANTOM HOUR
by James Meetze

I want to be ferried from this world
to whatever beyond.
I will not pay the ferryman’s tax.
I want a tether to this life’s treasures,
to remember each name
and address, each ingot of gold worn on the finger.
This is not abstract thought.
A thing is or it isn’t.
A thing works or it doesn’t and if that is the case,
then it is of no use to me.
Man lets loose his complaint,
dissent among the unwashed ranks.
No bird in the bush,
no books in the bag, but what worthless words
these are when vapor.
I complain that memory squandered is worse
than memory lost.
What can one hold in empty hands?
There comes a demonstrative need to articulate
every significant totem,
then articulate the surprise in discovering totem’s existence.
I want to drink from the River Lethe.
I am waiting to cross.
I am thirsty. READ MORE

SATURDAY POETRY SERIES PRESENTS: K. HOLDEN PUMPHREY

ONE GOOD THING ABOUT YOU IS YOU’RE ALWAYS LOOKING FOR LIGHT REFRACTION
for Ryan Joseph
by K. Holden Pumphrey

1
Where I grew up, in thunderstorms
everyone comes in from the rain out of breath and says
Oh my God it’s like a WAR out there!
People in Chicago get prideful about surviving the weather
It’s fun, because you still feel like you survived.
Which is a good feeling to have.

You won’t remember this, because it was a dream,
but we descended from the bus
in some French-colonized place
and I didn’t know you
but I think we’d both given out some kind of war cry that day.
We cross the street together

as if we knew ourselves. READ MORE

SATURDAY POETRY SERIES PRESENTS: DAVID BLAIR

AS ONE PUTTING THE PHONOGRAPH NEEDLE BACK ONE SONG AFTER FINDING A COVETED RECORDING
by David Blair

Most of the country is not hung up
on Rome as we are, a couple of yard pagans—
that was a wonderful smile
under that big Blonde Venus afro wig
that you stole from Marlene Dietrich
to shine at me in a dream
as reassuring as a rainbow
up near the lip of the Maelstrom.
There’s gladness at the heart of being a person
most of the time impervious
yet visible to our speculation,
as sorrow eats cake at happy weddings. READ MORE