Martina Reisz Newberry: “Dietmar And I Talk Of Angels”

 

 

DIETMAR AND I TALK OF ANGELS

“Cherubim,” he said, “are your typical
angels–one set of wings–like people with
wings. Primary purpose? Delivering notes
from God to Creation and back again.”

He clenched his teeth and fists. “Now,” he said, “The
Seraphim are awesome, frightening. They
are tough. Picture your old Uncle Otto
(determination etched into his face)

with 6 pairs of wings and you’ve got it right.”
His eyes sparked and he lowered his voice to
a mutter. “Seraphim are indurate.
They are the bikers of the angel ranks.

They show their teeth and growl when they set down.
Some of them have spears and some have arrows
and some have stamped AK-47s.
Their bodies burn so hot you can barely

look at them straight on and you can’t touch them.”
I thought of old Uncle Otto whose face
sweated so much he carried several
handkerchiefs on his person (maybe six

of them like white angel wings), who swore so
much he was invited out on the porch
so the kids wouldn’t hear him, who ate horse
radish on his boiled eggs with beets, who had

a collection of silver dollars in
a locked box for just-in-case. He drove a
Lincoln Continental and kept a KA-
BAR knife in the glove compartment. We were

afraid of him. My mother said he had
a huge heart and that’s what finally killed him.
I wondered if an angel could be a
Cherubim and a Seraphim at the

same time. Like maybe if they wanted to
spy on each other or something. “Of course
they could,” said Dietmar. “Just depends on the
circumstances.” What circumstances, I

wanted to know. “Well, I think they might trade
places if the world blew up. Or maybe
if the Cherubim were being too soft
on sins. Something like that could get messy.”

 

About the Author: Martina Reisz Newberry’s newest collection, Blues for French Roast with Chicory is due for publication from Deerbrook Editions in late fall, 2019. Her latest book is: Never Completely Awake (Available from Deerbrook Editions). Her work has been widely published in the U.S. and abroad. She lives in Los Angeles with her husband, Brian Newberry, a Media Creative.

 

More By Martina Reisz Newberry:

Venerating the Transitory

 

Image Credit: Master of Sir John Fastolf “Saint Francis” (1430-1440) Digital image courtesy of the Getty’s Open Content Program.

Martina Reisz Newberry: “Venerating the Transitory”

 

 

VENERATING THE TRANSITORY

Further up on the trail is
the smell of toasted tree trunks
and a damp cold. It’s lovely.

The spontaneous nature
of fire in this area last year
was its inborn reckoning,

then, a little later, loss and
pain—their tie, a “given” by
all that breathes. Tell this: which of

our multiple mouths is the
most intimate? Is this some
thing we have to decide? I

have found there are too many
endorsements for most questions.
Further up this trail, there are

still some patches of clean snow
holding on to that singed smell.
My body recalls the smells,

the tastes, forgets the events.
Wind licks at the aspens, some
kind of birds form a cloud and

pass over. It is clear they
have a fixed destination.
Along this path are vagrant

insects and animals. The
silence is so pronounced that
I hear rocks speaking many

languages. Everything bathed
in shades of pekoe, pink,
singe, an absurd excess.

 

About the Author: Martina Reisz Newberry’s newest collection, Blues for French Roast with Chicory is due for publication from Deerbrook Editions in late fall, 2019. Her latest book is: Never Completely Awake (Available from Deerbrook Editions). Her work has been widely published in the U.S. and abroad. She lives in Los Angeles with her husband, Brian Newberry, a Media Creative.

 

Image Credit: “Oregon National Forest. Effect of fire” The Library of Congress