Agnes Vojta: “Waiting for news from the hospital”

.

.

.

Waiting for news from the hospital

she is on her knees
scrubbing the kitchen tiles
square by grey square.
The dark lines of grout
meet at right angles.

She erases
a splatter of tomato sauce,
a dusting of flour,
a smear of mud,
scours

until the floor is so clean
she wants to lie down,
cheek to the cool tile,
and breathe
the faint lemon smell.

She wipes her forehead,
stands up and paces
the empty house
looking for something
else to clean.

.

.

About the Author: Agnes Vojta grew up in Germany and now lives in Rolla, Missouri where she teaches physics at Missouri S&T and hikes the Ozarks. She is the author of Porous Land (Spartan Press, 2019) and The Eden of Perhaps (Spartan Press, 2020), and her poems have appeared in a variety of magazines.

.

More By Agnes Vojta:

Legend

Sisyphus Calls It Quits

Flotsam

.

Image Credit: Chase Dimock “Tiled Corner” (2021)

William Taylor Jr. “Mr. Sanchez”

 

 

 

Mr. Sanchez

Mr. Sanchez was my hospital roommate for three days
when I had to go and have my aortic valve replaced.

He was 83 years old, deaf in one ear,
and scheduled for a triple bypass.

He had near constant minor pains
and was always pressing the nurse call button
and describing his current level of discomfort:

It’s a one, now…or a two…wait…three…definitely a three…

A nurse would come and give him handfuls
of little pills that dissolved beneath his tongue.

Oh…it’s back down to a two, now…one…zero, it’s zero now, thank you…

The nurse would go away and within a few minutes
Mr. Sanchez would be pressing at the button again.

Nurse, it’s back to a two…maybe two and a half…

The nurse would return with more little pills
and it went on like this throughout the day.

Whenever the nurses changed shifts
the new nurse would have to check Mr. Sanchez’ vitals
and ask him the same series of questions:

Did you used to smoke, Mr. Sanchez?

Oh yes, too much.

For how many years did you smoke?

I started at 16, so about 60 years I guess.
I usta smoke about 3 packs a day.

Really?

Oh yes, I was a merchant marine, and that’s what we did –
smoke and drink, smoke and drink…

You have a tattoo, Mr. Sanchez?

I sure as hell do.

Mr. Sanchez  pushed up the sleeve of his gown
to reveal the face of a pretty young woman
and a faded name scrawled beneath.

I got this in Okinawa in 1963.

Mr. Sanchez sat up and started
to tell the story of the woman’s face
upon his arm but the nurses only
wanted to know what color of jello
he preferred for lunch.

He always asked for red
but they only had yellow
or green.

 

 

 

About the Author: William Taylor Jr. lives and writes in the Tenderloin neighborhood of San Francisco.  He is the author of numerous books of poetry, and a volume of fiction. His work has been published widely in journals across the globe, including Rattle, The New York Quarterly, and The American Journal of Poetry. He is a five time Pushcart Prize nominee and was a recipient of the 2013 Kathy Acker Award. Pretty Words to Say, (Six Ft. Swells Press, 2020) is his latest collection of poetry.

 

More by William Taylor Jr.

“The Fire of Now”

“One of Pessoa’s Ghosts”

 

Image Credit: drawing from Outlines of Human Physiology by George Hayward (1834) public domain

Ken Hines: “What the Children Know”

 

 

 

What the Children Know

On a concrete bench in a hospital courtyard
I wait while my wife gets an MRI,
her own personal snapshot of the future.
The only painful part, I was assured,
is the thinking.

Nearby, cries erupt from children
at the hospital daycare center—
one of their parents, perhaps, now sliding
my wife in the lamprey jaws of the scanner.

The children’s sorrow spreads like a stomach bug.
A teacher’s voice wafts across the playground
Shhh y’all … What’s the matter?… C’mon now.

But the wailing only swells
filling the courtyard with birdlike
shrieks and hollow moans.

Nurses on break look up from their phones
a man in a wheelchair opens his eyes
nuns carrying lunch trays pause mid-stride
all of them wondering, like me,
what the children know.

 

 

About the Author: Ken Hines writes essays and poems on matters he finds puzzling. Some of those pieces have found their way into Philosophy Now, The Millions, Barrelhouse, and Mocking Heart Review. He lives in Richmond, Virginia.

 

Image Credit: National Photo Company “Playground” (between 1918 and 1920) The Library of Congress (public domain)