A Review of Bushra Rehman’s Corona

bushra rehman corona

A Review of Bushra Rehman’s Corona

By J. Andrew Goodman

Bushra Rehman’s Corona is a witty and moving story of liminal spaces and the narrator Razia’s abuttal with the thresholds of sex, ethnicity, and place. The novel follows Razia from her childhood in New York City and through her dangerous initiation to adult independence. She was expelled from her home after refusing an arranged marriage by her orthodox Muslim parents, and her long search for a new home frequently begs the question: What am I willing to compromise for freedom? After reading Rehman’s quick and elegant prose, the wide world seems intimate, awaiting the will of one displaced woman.

The title, Corona, refers to a poor neighborhood in Queens, New York, whose hegemony shifts generationally between different ethnicities—Italian, Puerto Rican, Korean, and Pakistani. Razia, her family, and nearest neighbors are Pakistani. They are unified by their faith and the generosity of Razia’s father. He is the owner and butcher at Corona Halal Meats. Their Muslim community holds two books in high esteem: the Quran and the tab her father keeps of goods he’s given away.

In one scene, Razia brings tea to her father and his friends, as she does every day at lunch. She notices her father always eats the least, takes his tea last, and cleans up after everyone, including the thoughtless imam. Razia is endeared by the small sacrifices her father makes for the sake of courtesy and the authority of faith. When he weeps during prayer, Razia feels closer to her father than before:

The azan came through over the loudspeakers. Men and women everywhere came out on the street. Everyone in the neighborhood tilted their heads and listened. Out of basement apartments and six-floor walkups, Muslim men started walking toward the sound, pulling their topis out of the backseats of their pockets.

The sun went down, and the clouds bent low over the buildings. I stood in front of the masjid and held my father’s hand. The light was turning pink and darkening, and I saw my father was weeping as a sleepy, blue light settled on everything.

Rehman softens the image of Razia’s father and displays the neighborhood’s solidarity, writing such moments with a deep reverence and tenderness that intensify our ambivalence toward Razia’s home.

Outside of Queens, as a young adult, Razia is defined by her romantic relationships. She substitutes the comforts of home with men, women, or drugs. She isn’t fortunate in the affections of men. Through a series of boyfriends, she travels the breadth of the United States—New York City to San Francisco and back to the Atlantic coast. Her first relationship after refusing the arranged marriage begins well enough; Razia and Eric escape the tumults of their respective homes, but their relationship deteriorates as they fail to hold jobs and as Eric becomes volatile and belligerent. Razia realizes the world she inherited is not fatalistic; she decides hunger and escape are more agreeable than abuse.

Razia is thirty or near thirty before she meets Ravi, a man she believes she can love despite his inability to always please her sexually. He is “on loan” from India, a decade-long student with a visa. He is heavy, hairy, and can answer questions with encyclopedic diction; he and Razia also share the same political views and maintain a moderate respect for their parents’ religion. During a sleepover at a mutual friend’s, Razia says Ravi looks good, even in traditional Muslim sleepwear. Ravi reminds Razia of her father and uncles, she confesses. Her childhood home is always on her mind, and Rehman’s writing makes the ugly, tan brick under the railroad tracks tangible upon utterance.

Finally, their relationship plateaus. Ravi explains he wants to see other women before he leaves the United States, but Razia wants them to be exclusive. She has, at last, found something she has been looking for. The moment has potential for derivative melodrama, but Rehman delivers the two lovers from each other with cool, comedic, and empathic dialogue. At every turn, there is an appraisal and a concession. Razia has to run shorter and shorter distances.

Razia eventually returns to New York, but not to the mythologized neighborhood she loves. She learns there are degrees of separation, and decides for herself how close she must be to her family and where she grew up. She will not agree to an arranged marriage, but to a truce, to the small comforts of conditional love. Razia’s home is as constant as the North Star. On clouded nights, when the oldest navigational tool is rendered useless, will we circle around it, lost, or stoop to build our fire.

Bushra Rehman, Corona. Sibling Rivalry Press, 2013: $14.95


J. Andrew Goodman is a recent MFA graduate from Murray State University and an intern for the independent literary publisher, White Pine Press. He currently lives and works in Louisville, Kentucky.

Upon Reaching the Age of Three

Myron Unger and his son John, circa 1951.

This is the second of three posts in tribute to my father, Myron “Mickey” Unger, who would have turned 85 in August. Last month, I posted a reaction to an old baby picture of me in a stroller, laughing, with my parents on either side. The piece ended with the rhetorical question, “What could possibly go wrong?”

This month, I continue that story with an essay on life and parenthood by Mickey himself. Mickey studied writing and psychology in college, hoping to pursue one or even both. But when he returned from naval service in the Pacific, he was eager to marry my mother and start a family. He entered his father’s business instead.

Still, he continued to write when he could, and penned this essay sometime in the ’50s. I find it beautifully crafted, unbearably wise, and eminently worth sharing. Next month, I’ll post a reflection on a father’s legacy.

Again, I want to acknowledge and express appreciation to my mother, Lois Zussman, and my adoptive father, Milton Zussman, who remain active in my life today. I am blessed with a heritage from three parents, not just two.

Upon Reaching the Age of Three
By Myron Unger

Upon reaching the age of three, what does a little boy expect from his dad?

Probably very little of what you want to give him.

For what do you tell a little guy that you can barely catch up with as he dashes from room to room helping Mommy fix the party.

You might put your hands around his little waist and lift him high over your head and laugh while he squirms and giggles, but what do you tell him?

Or you might sweep him up in your arms, swing him unto your lap, punch him in his tummy and run your hand through his tangled hair as he struggles to get away, but what do you tell him?

Or you might accept his invitation to play marbles on the floor with me, Daddy …… and he sticks his chubby, dirty hand into his pocket and brings out ten shining, colored symbols of his boyhood and says I’ll loan you one if you give it back to me, Daddy … and when he jauntily sits down on his knees waiting for you to take firsties, you wonder what to tell him.

And then it comes to you that it still isn’t your turn.

Not while God and his mother make his body erect and his mind alert.

And you think that his is really a simple love which comes through in his quick hugs and his warm smiles and his rollicking Hi, Dad when you come through the door. And so he asks little but the confirmation of your love and there remains little you can tell him about this.

And this is probably right.

For what can you tell him that he would understand?

Can you tell him about the dreams you’ve had for him long before he came into your life?

Can you tell him how you remember being a boy?

Can you tell him about your father, your marbles, your birthday cakes?

And then it comes to you that even if he could understand, you couldn’t tell him, because you don’t understand.

And you wonder about this because you wonder what you’ve been doing while he’s been growing up. What have you learned? If this was the right time, what could you teach him?

What happened to all those firm convictions you had when you left college? Were you right about life, about love, about God?

Once in your life you were confused and you asked questions and you got answers and now you’re asking the same questions and you’re not sure you remember the answers. And you begin to think what do I tell myself, the father of the boy who has reached the age of three?

Full cycle ……

Yes, and awareness that the stuff of life is a thin fabric and you can catch it only in seldom moments of quietness …. and the rest of the time, you work on impressions and fleeting recollections of knowledge.

Once, when you first held a girl you loved in your arms and smelled the sweet fragrance of her hair and felt the smooth flow of her body and knew she felt you, you held the fabric.

And once, when you stretched hard and flat on the fantail hearing the spray gently splash across the deck and watching the sun slowly kiss the flowing horizon and then fall softly into the rolling, moving sea and you saw the other ships slipping silently through the dusk and you thought how these ships and these men and this ocean and this sunset belonged together and you were part of it and you belonged too, you held the fabric.

And there was another time, much later, when you stopped your car in the middle of traffic and picked up the dog and carried it to the sobbing girl waiting on the street corner and you gave it to her and she stood on her tiptoes and kissed your cheek and then ran away in childish embarrassment scolding the dog, her tears turned to mock anger. And when you got back into your car and waved to the honking, scowling street, you felt sheepish but warm. And you thought how long it had been since you last held the fabric.

And you think if this is the true matter of life, what is all the other? And you think why can’t you be wise and aware each moment of each hour? And you think why must age bring the callowness of repetition?

Now you remember the pledge of your youth and a bewildering enigma startles you. For when you were young and intense you wished for maturity so that you would understand and mellow. And now that you were older and mature by men’s standards, you have lost the spark and thrill of youth and must go out to search for the feeling.

Is this what God meant?

Or is this what man has done to man in the guise of becoming civilized?

Here are the questions then that you must answer before you tell him anything because maybe it’s not too late for you.

Three years is a wonderful age, you reflect; full of magic and warmth and treats and laughter and toys and bulging pockets and runny noses and red cheeks and wet shoes and band-aids and stuffed animals and playing old, and the wonderment of the whole, huge, whirling world which to a small boy means fun.

Thirty years is a wistful age, full of old dreams and new doubts and old ambitions and new fears, and maybe a good place to stop for a moment to total up the ledger and see where you stand and perhaps revise and rededicate.

And this is about as far as you can go.


For you have come full cycle and you know again that your life doesn’t have the meaning you looked for, not yet, And you know that somehow, you’re falling short of the mark; that the blend of youth and age is still brewing and hasn’t yet mellowed. The vote is still out and you wished there was a place you could go to get it counted.

Is yours a futile search? Perhaps.

Yet, perhaps to search makes life richer even if you never find the answers. Perhaps life isn’t easy because it is rich.

And so it comes to you that it will be up to no man to answer your questions. That you must search and find yourself.

You’re suddenly very glad your three year old doesn’t question your smile. You’re glad he’s young enough not to doubt you.

When you shove him under the covers and turn out the light and kiss him goodnight, you pray that God and his mother keep doing their work while you look for the fabric.

Myron Unger died of cancer fifty years ago next week, on October 11, 1960. He was 35.

Copyright © 2010, Myron Unger & John Unger Zussman. All rights reserved.


The Unger family, circa 1951.

By John Unger Zussman

This short essay is the first of three posts in tribute to my father, Myron “Mickey” Unger, who would have turned 85 last month. Next month, I’ll post an essay on life and parenthood, which he wrote sometime after this photo was taken. The following month, I’ll post my own reflection on a father’s legacy.

I also want to acknowledge my mother, Lois Zussman, and my adoptive father, Milton Zussman, who remain active in my life today. I am blessed with a heritage from three parents, not just two.

In the photo I am plopped in a stroller and I am laughing, even giggling, probably because my daddy is kneeling on my left, tickling my shoulder, and he is laughing too. It is the fifties and I am wearing the baby Penn sweatshirt I got from my uncle, who would have been in college then. I am exuberant like a one-year-old taking his first stroller ride, and my chubby fingers are squeezed around my mommy’s hand as she kneels on my right, and I trust her, and so I can giggle. She also is laughing, and buoyant, because her son is giggling and her husband delighted, the man who told her the night they met that he would marry her, and she wasn’t too sure about that, but she waited while he served in the Pacific, and now they are married and laughing and they have this marvelous family. My uncle, visiting from Philly, is snapping the picture, and for all I know he is laughing too, but he holds the camera steady.  Our laughter will last forever, preserved in living black and white more than fifty years later, and what could possibly go wrong?

Copyright © 2010, John Unger Zussman. All rights reserved.