Sheena Bradley: “Child Migrant”



Child Migrant

I don’t remember leaving Ireland,
only arriving, as if just born, off the boat.
Jelly legs find earth unsteady
after weeks aboard the Empress of France.
Parents speak rapidly
with smiling voices,
emigrants to a New World

Quebec is light, colour, noise
and swooshing cars with glossy names,
Chevrolet, Chrysler, Oldsmobile.
My new half-brother
speeds us in his Pontiac
through pine forest tang,
green trees go on forever.
Already wide, the Petawawa River
opens to the Ottawa, songs
lilting in their names.

This white house is just for us, we four –
and that scary Jesus picture,
shipped all the way from home, flashing
his fiery heart and follow-you eyes.

Big brother, home from school, teaches me,
Van Der Berg, Kinosha, Hoffmann,
Schultz, twisting my tongue, compared
to Kelly, Mc Guigan, Hegarty and O’Brien.

Featureless fading snowmen last
for months, then summer’s melting heat,
sticky hands, damp clingy sheets.
On our way to picnic by a lake,
the car skids on a million mashed caterpillars.
I swim on Uncle’s back, squealing,
squealing, listening for echoes.

Barbecue smoke clings to hair
and clothes as we ride home singing
O Canada, our home and native land.



About the Author: Sheena is Irish but has lived in Nottingham for almost forty years. Following retirement, she began writing and now has an MA in Creative Writing from Trent University. She has been published in The Beacon, Reach, Sarasvati, Dawntreader and Orbis. Twitter: @weesheenanigan


More by Sheena Bradley:

After Another Deluge


Image Credit: “On the St. Lawrence River at Riviere du Loup” (1900) Public Domain: The Library of Congress

Tim Peeler: “Drive-in 21”



Drive-in 21

Through the pounding thunderstorm,
They endured blue lightning flashes,
Great drops of steaming rain,
And on the screen, the first of
A double feature, Invasion
Of the Blood Farmers,
A film shot so poorly
That day and night shots
Were jumbled together;
So cheap, the actors were paid
With six packs of beer
To play blood-seeking druids
On a mission to save their queen.
They gritted their teeth
As their wipers slashed,
The speaker crackled, and
The parking lot emptied
Of all but the stoners
And the crazies awaiting
The second feature,
Shriek of the Mutilated,
Wherein grad students
Undertake a field trip
To Boot Island in search of Yeti,
And the hardcores were rewarded
When the summer skies cleared
And fell silent as the hairy
Beast began his carnage.




About the Author: A past winner of the Jim Harrison Award for contributions to baseball literature, Tim Peeler has also twice been a Casey Award Finalist (baseball book of the year) and a finalist for the SIBA Award. He lives with his wife, Penny in Hickory, North Carolina, where he directs the academic assistance programs at Catawba Valley Community College. He has published close to a thousand poems, stories, essays, and reviews in magazines, journals, and anthologies and has written sixteen books and three chapbooks. He has five books in the permanent collection at the Baseball Hall of Fame Library in Cooperstown, NY. His recent books include Rough Beast, an Appalachian verse novel about a southern gangster named Larry Ledbetter, Henry River: An American Ruin, poems about an abandoned mill town and film site for The Hunger Games, and Wild in the Strike Zone: Baseball Poems, his third volume of baseball-related poems.


More By Tim Peeler:

Modernist Hay Making

Paramnesia 2

Ballers 2, the Star’s Monologue 3


Image Credit: John Margolies “Augusta Drive-in Theater, Route 11, Augusta, Maine” (1984) The Library of Congress

Diana Rosen: “Mrs. Reagan, Who Lived Next Door”




Mrs. Reagan, Who Lived Next Door

Mrs. Reagan, (Elizabeth only to childhood friends,)
walked ramrod straight even into her nineties
as if her Lord and Savior was watching.
A believing Methodist doing all the good she

could all the times she could, showed thrift,
practicality, by example, weaving rag rugs,
preserving her garden gifts into winter’s food,
storing seeds in coffee cans for next season’s

sowing. She made the best popcorn while
babysitting us on the rare nights our parents
went out, amusing us no end with her drum roll
after-popcorn snores. Her thrift, coupled with no

small amount of style, showed in the clothes
made for our dolls. She only ever raised her voice
to my sister and me when she caught us
gobbling plump Concord grapes peeking

through the wire fence between her massive
garden and our unkempt patch whose only
proofs of nature: fuzzy pussy willows
tickling noses; under chin reflections of buttercups;

sunny dandelions seeding into feathery bristles
blown away with our wishes; gigantic crab apple
tree, a canopy for summer reading. “Look at that
old man,” Mrs. Reagan pointed at through her

dark kitchen’s window (electricity was for
nighttime only.) The man, bent like a toppled
letter L, lumbered down the unpaved alley
towards the garden gate, another day older and

deeper in debt to the masters of anthracite. He’d
settle in front of their aged television set,
the screen barely six inches, sipping on soup
served with stale saltines, his wife’s effort to

“make dinner,” unchanged for the five decades
they were wed. She often commented,
“Mr. Reagan said …” although no one ever heard
him speak or even saw him except for those

work day plodding-alongs in the alley behind
the garden where his wife, in frayed hat, sturdy
work gloves, sensible dress (always hand-made,)
rested on the swing under the oak tree, “just a

second” before returning to her corn stalks
towering several feet above her, the Roma
tomatoes plump and sun-reddened, the usual
yellow wax and long green beans, squash, peas.

Today, as I was rinsing out the jar of tomato
sauce to store some rice, the mailman arrived
with a letter from her daughter:
“To the astonishment of all, Mother decided

to lie down for a nap this afternoon, and that
was that. She was ninety-eight and longed
to be one hundred, but that was not to be. Still,
it was a long, useful life, and for that we are grateful.”




About the Author: Diana Rosen writes flash, poetry, and essays with recent published flash and poems in Existere Art & Literature Journal (Canada), Potato Soup Journal, and WildforWords (UK) and an essay in “Far Villages”, an anthology from Black Lawrence Press. She lives and writes in Los Angeles. To view her work, please visit


More by Diana Rosen:

Hollywood Freeway

Dinner at Six


Image Credit: John Vachon, from the Farm Security Administration – Office of War Information Photograph Collection (Library of Congress) Captioned: “Nothing wrong with these shelves. Shelves like these may be built in a well-ventilated cellar, cave, or closet where it is cool, but not cold enough to freeze, and where there is no strong light. They are wide enough, they are built of strong boards, and they are braced with sturdy supports. One hundred feet of twelve-inch shelving will hold five hundred jars. Notice the orderly arrangement of jars. All foods of one kind are together” (1939)

Nathanael Stolte: “New, but Borrowed”



New, but Borrowed

Though I’m in a new, but borrowed, bed
in a strange land
you’ve never been to
I still sleep on only half
the old habitual repetition

I know you’re not coming

and I’m certainly not
saving it for you
or anyone

not saving it at all
not holding intimate space
for anyone in this dating economy

I leave books of poems
and novels there
that I read before dreaming

all the companionship I require

I don’t fix the covers in the morning
never cared much for that

I dream I’m covered in ticks
and they’re hungry
growing fat
and round
and gray and smooth as old river stones
it doesn’t itch
but I can’t scream
because my teeth are old river stones
gray and
as fattened ticks
and my mouth is full of butterflies
and secrets
too subtle to recall
when the sun rises
like bubblegum over
the far pasture
out the spotted plate glass
picture window
creeping at first
then all at once

I’m not covered in parasites
and my teeth are just fillings



About the Author: Nathanael Stolte is an artist and poet from Buffalo, NY. His poems have turned up all over the place. He is the author of several chapbooks and Shoot the Alligators Closest to the Boat (Stubborn Mule, 2019) & Beggar’s Songbook (Spartan Press, 2020). He was an artist in residence at Osage Arts Community in Belle, MO this year where he was making visual art until his plans were interrupted by a mild heart attack. Now he’s staring down the barrel of 40 and living in his mother’s basement.


Image Credit: Russell Lee “Piercing a mattress in tufting. Mattress factory. San Angelo, Texas” (1939) The Library of Congress

Sue Blaustein: A Horse Named “Can-Ball-the-Flowers”



A Horse Named “Can-Ball-the-Flowers”

…we can tentatively define information as the communication of relationships
– Hans Christian Von Baeyer in “INFO, Information, the New Language of Science”

When I was five or six,
I was crazy for horses
            and words.
My mother told me
about Thoroughbreds
and the meaning of pedigree –
why owners gave them

long and pompous names. She’d
open the New York Times to find
the line-up at Belmont, read
us the silliest ones out loud
            and we’d laugh.
Something only we shared… As
years passed, I’d remember, or

mis-remember a name.
Was there a horse
named “Can-Ball-the-Flowers”?
I let it drop, but then the Internet was invented.
Forty-three when I got connected, my first
burning question for the web:
Was there ever a horse named

“Can Ball the Flowers”?
DOS search engines in the 90’s
didn’t think for you like Google.
Courier type on a black
background…I strategized
keywords: I was five or six.
So, 1961, ‘62. Races in New York – 

would be Aqueduct or Belmont.
I had to tweak my terms
repeatedly, but finally I learned –
there was a chestnut
stallion named “Candy Spots”,
and a fast mare whose name
was “Bowl of Flowers”!



About the Author: Sue Blaustein is the author of “In the Field, Autobiography of an Inspector”. Her publication credits and bio can be found at Sue retired from the Milwaukee Health Department in 2016, and is an active volunteer. She blogs for ExFabula (“Connecting Milwaukee Through Real Stories”), serves as an interviewer/writer for the “My Life My Story” program at the Zablocki VA Medical Center, and chases insects at the Milwaukee Urban Ecology Center.


More by Sue Blaustein:

A Song for Harvest Spiders

A Song for Noise

The Old Ways


Image Credit: Russell Lee “Finish line of farm boys’ horse race. Vale Oregon. This was supposed to be a boys race but the girls wanted to be in it too so they were included ” (1941) The Library of Congress

Howie Good: “Reason to Believe”




Reason to Believe

By late March, tens of thousands were about to die from the virus. I was sad, so sad. Then the sun would come up and the buds open a little more each day. You could hear the music – the Mister Softee truck was out. You just had to watch for it.


As I go around town, I see people wearing face masks all wrong, under their noses or even their chins. I don’t want to get into it with them. I just want to get away. Given a choice, I’d live somewhere civilized and safe, somewhere like Switzerland, but without all the cows and glaciers.


It’s important to pay attention to possible omens. Like the tall weed growing across the street, whose milky white sap is said to relieve pain. Do you have 30 seconds? I swear sometimes it glows.




About the Author: Howie Good is the author of THE DEATH ROW SHUFFLE, a poetry collection forthcoming from Finishing Line Press.



More by Howie Good:

People Get Ready

Maiden Voyage



Image Credit: John Ferrell “Washington, D.C. Good Humor ice cream truck” (1942) The Library of Congress

Chase Dimock: “Imitation Unicorns”




Imitation Unicorns
– For Nellie

When I first held you
I watched Unicorns prance
in soft fleecy pink across
your onesie as your dreaming
breathing belly rose in and out
lifting them off into the infinite
pastel possibilities of infancy.

I wondered when you’ll start
sorting your fairy tale menagerie
into fact and fiction, when Z
will still be for Zebra, but U
will have to settle for Urchin
or the Unspotted Saw-whet Owl
the Unlined Giant Chafer Beetle
the Unstreaked Tit-Tyrant
or any number of animals
defined by what they lack.

Will you still marvel at
the Unadorned Rock Wallaby
despite his lack of adornment?

Will you still respect
the Unarmored Threespine Stickleback
despite her vulnerability?

Will you accept substitutes?

The fencing Narwhal
swashbuckling the Baltic
more weaponized than majestic

The Hornbill who flies like pegasus
but shrieks, fighting for figs in the trees

When Marco Polo first laid eyes
on a Rhinoceros in the land of Basma
he wrote, Unicorns are
           altogether different from what we fancied.

He bemoaned, Unicorns are
……..not in the least like that which our stories tell of.
           They delight much to abide in mire and mud.
           Tis a passing ugly beast to look upon.
I hope you never use myth as your measure.

When you gaze at the Unicorn trotting through
the frosted cupcake mountains on your Lisa Frank
Trapper Keeper, know that fantasy is a projection
of our inner colors, on a world both grey, and yet
so brilliant, we can’t see all the light in the spectrum.

And most of all, humor your uncle
when he pulls a mule to your birthday party,
straps a rainbow painted corn cob to its head.
When you ride old Wilbur into a sunset that stops
at the fence in your backyard, know he did the best
Unicorn impersonation his old bones could carry.


Imitation Unicorns appears in Sentinel Species, now available from Stubborn Mule Press on most online bookstores.



About the Author: Chase Dimock lives among mountain lions and coyotes in an undisclosed location between Laurel Canyon and the Hollywood Hills of Los Angeles. He serves as the Managing Editor of As It Ought To Be Magazine and makes his living teaching literature and writing at College of the Canyons. His poetry has been published in Waccamaw, Hot Metal Bridge, Faultline, Roanoke Review, New Mexico Review, and Flyway among others. He holds a PhD in Comparative Literature from the University of Illinois and his scholarship in World Literature and LGBT Studies has appeared in College Literature, Western American Literature, Modern American Poetry, The Lambda Literary Review, and several edited anthologies. For more, visit


Image Credit: from “Historiae naturalis de quadrupedibus libri” (1657) Image Courtesy of the Biodiversity Heritage Library

A Review of Larry Smith’s Mingo Town & Memories by Mike James



A Review of Larry Smith’s

Mingo Town & Memories

By Mike James


Larry Smith knows what a penny tastes like. I kept thinking that while reading his fine new collection of poems, not because he says that but because his poems are so concerned with the absence of money.

Neither Eugene Debs nor Sherwood Anderson are mentioned in any poem, but any reader might notice them at the book’s periphery. Like Debs, Smith is concerned with the underclass and with how class can go a long way towards shaping destiny. And, like Debs, he has an almost mystical faith in the goodness of collective humanity.  Like Anderson, Smith is focused on day-to-day, small town, Ohio life. Also, just like Anderson, Smith is concerned with language spoken in diners and factories. There’s nothing ornamental in these poems. They are as sturdy and as practical as Amish furniture. His characters don’t always do right, but they seem to always recognize when they’ve done wrong.

Smith is an Ohio writer who has been publishing widely since the 1970’s. His books include poetry, novels, translations, biography, and non-fiction.  For his many readers, this new collection will arrive like an old friend. The things he’s always done well he continues to shine with.

Here’s a sample to illustrate what Smith is really good at, from his poem, “Wages.”


When I break a plate, Mom cries,
“Oh shit. Look what you’ve done.”
You can hear the sound of wind.
Then Mom hands Dad a fist full of bills,
and we kids go off to our rooms.
Tomorrow will mean our old clothes again
and the counting of our coins. 


Now poetry is about structuring language as much as it is about anything. Look at what Smith does with the endings of those lines. Only one word (again) is more than one syllable. Smith not only sticks to the vernacular here, but he also uses monosyllables to emphasize harshness and what it’s like to just get by. At the same time he allows the lines to play upon one another with off rhymes of wind/again and rooms/coins. This is an artful way to not draw attention away from the scene. Smith does a fine job of saying just enough in his poems.

These poems are often about the moments of just enough. Smith’s characters do a lot of waiting. Factory workers wait around to see if they will stay employed. Boys wait along the river. Old couples wait to talk. They are ordinary people killing time. Now and then a couple of his characters get together and are like, “two boats mooring along the shore.”


Mingo Town & Memories by Larry Smith
Bird Dog Publishing, 2020
Poetry, $15



About the Authors:

Mike James makes his home outside Nashville, Tennessee. He has published in numerous magazines throughout the country in such places as Plainsongs, Gargoyle, Birmingham Poetry Review, and Chiron Review. His fifteen poetry collections include: Journeyman’s Suitcase (Luchador), Parades (Alien Buddha), Jumping Drawbridges in Technicolor (Blue Horse), First-Hand Accounts from Made-Up Places (Stubborn Mule), Crows in the Jukebox (Bottom Dog), My Favorite Houseguest (FutureCycle), and Peddler’s Blues (Main Street Rag.) He served as an associate editor of The Kentucky Review and currently serves as an associate editor of Unbroken.

Larry Smith is the editor-publisher of Bottom Dog Press in Ohio, also the author of 6 books of fiction and 8 books of poems, most recently The Pears: Poems. A retired professor of humanities, he lives and works along the shores of Lake Erie in Huron, Ohio.


More Reviews by Mike James:

Mike James reviews “Dead Letter Office: Selected Poems” By Marko Pogacar

Mike James reviews Beautiful Aliens: A Steve Abbott Reader and Have You Seen This Man? The Castro Poems of Karl Tierney

Omobolanle Alashe: “Cherish”




Cherish the moments of comfortable silence,
Late afternoons and early mornings
Of cracked records and broken voices singing along,
Serenity and thoughts make good company.

Cherish the noisy world,
Swallowed whole by a windy evening
Chaotic melodies and broken hearts singing along,
Tumult never felt so good.



About the Author: Omobolanle Alashe is an avid reader, writer and language enthusiast. She is an undergraduate law student, juggling life as a published poet, aspiring polyglot and budding African writer. Her free time is spent in another world created in her ever moving mind, gearing up to share it one day with the world. Her work has been seen in Clumsy Spider Publishing, Tell! Africa Publishing, among others. She is currently working on an anthology which she hopes to publish soon.


Image Credit: Claude Monet “San Giorgio Maggiore at Dusk” (1908) Public Domain

Aster Perkins: “ramps”





About the Author: Aster Perkins (they/them) is a third gender writer, pianist, and neuroscience graduate student located in New York City, and have been previously published in The Apothecary, the Mount Sinai creative arts magazine. They can be found on Twitter @endwellian and their other work can be found at
Image Credit: From Home Vegetable Gardening from A to Z Garden City, New York: Doubleday, Page & company, (1918) Public Domain. Image Courtesy of the Biodiversity Heritage Library