Richard Stimac: “Desire”

Desire
You’d think something like a river is a fixed thing.
Maps, no matter how old, keep rivers in the same place.
Names change. Boundaries move, or dissolve.
Arrows mark migrations and invasions.
The river, given erosions and sediment, stays the course.

Like children, or cats, fixity is what adults desire.
All things change, with time. This is a truism.
But some things change so slowly, so easily unnoted,
we assume them permanent and build our imagination around them.
To think things can be otherwise is to be a god.

That was the first sin, in the Land Between the Rivers.
The Serpent implanted an image in Eve: “What if?”
Eden could be different than it was. Paradise lost with options.
Wisdom is knowing all that is need not be all there can be.
After the Fall, we could no longer accept we simply are. Like the river,

that once enclosed Paradise, and now slowly dies in its way
to the delta, we turn against ourselves. We are not enough.
Or so I feel. Like the river never rests in its mindless meander,
through my works, my days, wants and grasps, kisses, goodbyes,
I long to be a fixed thing, without movement, without will and thirst,

to be a standing body of water, a lake, a pond, a flippant backyard pool.
But that’s not true. It’s the sea I fear, the end of course, when all the sediment
collected over a continent dissolves into salt water. There the river ends.
The maps lose their contour. Far at sea, we lose our landmarks.
Lost, we drift, and lift our heads to the stars, secure in their heavens.

About the Author: Richard Stimac has published a poetry book Bricolage (Spartan Press), over forty poems in Michigan Quarterly Review, Faultline, and december, and others, nearly two-dozen flash fiction in Blue Mountain, Good Life, Typescript, and several scripts. He is a fiction reader for The Maine Review.

Image Credit: George Catlin River Bluffs With White Wolves In The Foreground, Upper Missouri (1832) Public domain image courtesy of Artvee

John Dorsey: “The History of Rivers”

The History of Rivers

a car with one headlight
bobs and weaves its way through the mud
looking for a pair of missing glasses
what good are they anyway
we can never see where we’re going
only where we’ve been
floods of emotion like this
are only supposed to happen once a century
but we can’t see our way past the rocks
everything only seems to come into focus 
after we get out of the water
& raise a glass to the spirits 
resting in capsized riverboats 
that you’ll never find squinting in the sunlight
listening to the words of that lonesome whippoorwill 
singing some far fetched river song.

About the Author: John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw’s Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015) Being the Fire (Tangerine Press, 2016) and Shoot the Messenger (Red Flag Poetry, 2017),Your Daughter’s Country (Blue Horse Press, 2019), Which Way to the River: Selected Poems 2016-2020 (OAC Books, 2020), Afterlife Karaoke (Crisis Chronicles Press, 2021) and Sundown at the Redneck Carnival, (Spartan Press, 2022).. His work has been nominated for the Pushcart Prize, Best of the Net, and the Stanley Hanks Memorial Poetry Prize. He was the winner of the 2019 Terri Award given out at the Poetry Rendezvous. He may be reached at archerevans@yahoo.com.

Image Credit: Frances Benjamin Johnston “Potomac River” (1898) Public domain image courtesy of The Library of Congress