Jason Baldinger: “the only other thing is nothing”

the only other thing is nothing
(for will hackney) 

got your postcard
from the edge of civilization 
in a resort town where 
water stopped like time
in the shimmer of 118 degrees 
out where the sea level still
can't find the sea 

california has eluded me
I haven't seen the salton sea
but I miss zabriske point
I miss armed attendants 
pumping expensive gas 
under blazing mojave sun 
desert rats aware
apocalypse already flashed 

the last time we shared a desert
you were celebrating life beginning
as speeches and dances rolled
I was in the parking lot
cold moon rises full
over the sierra blanca 

attempts to be a dutiful 
if long distanced partner
lonely in the clash 
between living with abandon
and living abandoned 

I am yucca, sun bleached
blossoms mummified 
while she's hostile
brandishing the shovel
that would bury us 

come morning
I start east
my eyes on lubbock 
 
beyond roswell
I spy a pecan grove
symmetrical oasis
stretched miles under 
unforgiving sun
park between rows
stand outside myself
the only other thing is nothing

About the Author: Jason Baldinger was recently told he looks like a cross between a lumberjack and a genie. He’s also been told he’s not from Pittsburgh but is the physical manifestation of Pittsburgh. Although unsure of either, he does love wandering the country writing poems. He’s penned fifteen books of poetry the newest of which include: The Afterlife is a Hangover (Stubborn Mule Press) and A History of Backroads Misplaced: Selected Poems 2010-2020 (Kung Fu Treachery), and This Still Life with James Benger. His work has appeared across a wide variety of print journals and online. You can hear him read his work on Bandcamp and on lps by The Gotobeds and Theremonster.

Image Credit: Arthur Rothstein “Type of land on project at Las Cruces, New Mexico. Note large yuccas” (1936) Public Domain photo courtesy of the Library of Congress

Year in Review: Our 50 Most Popular Posts of 2022

As the Managing Editor of As It Ought To Be Magazine, I want to thank all of our contributors and our readers. 2022 was a great year for poetry and I am grateful for everyone who shared their work with AIOTB. Here’s to another bumper crop of poetry, reviews, and nonfiction in 2023!

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-Chase Dimock

Managing Editor

As It Ought To Be Magazine

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POETRY

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Hannah Bagley

-Stay A Spell

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Jason Baldinger

– i remember the royal river

– temporal, temporary, and gone

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Ruth Bavetta

– Stargazers

– A Year Turned Upside Down

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Jon Bennett

– Winter Apples

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Rose Mary Boehm

– Sirocco

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Ace Boggess

– End of the Fence

– Psychic Day

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John Brantingham

– Joan Miro’s Portrait of Vincent Nubiola

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Rick Christiansen

– Anarchists in the Kitchen

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Susan Cossette

– The Persistence of Memory

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John Dorsey

– Five Erasure Poems

– The History of Rivers

– Paul & the Trailer Park Tornado

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Joanne Durham

– Homage to Angelica

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Ryan Quinn Flanagan

– She Says Her Cat is in Love with Javier Bardem

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Tony Gloeggler

– For Mom

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Nathan Graziano

– Stuck Inside the Supermarket with the Beautiful Blues Again

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Bill Griffin

– Prescribed Burn

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Ruth Hoberman

– Planaria

– Make Way for Ducklings

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Mike James

– Quotations

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Marc Janssen

– The Wooden Cross

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Beth Kanell

– Do the Next Right Thing

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Diane Kendig

– Searching for the Rosetta Stone

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Richard Levine

– Playing at Forever

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Cord Moreski

– Space Shuffle

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Christian Paulisich

– Whale Watching

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Marissa Perez

– Shark Smile

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Meg Pokrass

– On My Road

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Cheryl A. Rice

– Ashtray

– Infrequent Flyer

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Damian Rucci

– Here’s Looking at You Kid

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Leslie M. Rupracht

– The Night I Lost My Souvenir Bucket Hat

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Jason Ryberg

– Passion Puzzles and Puzzle Boxes

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Alex Z. Salinas

– Overboard

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Anna Saunders

– A New Skin

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Carolyn Sperry

– Updates from Sour Lake

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William Taylor Jr.

– Little Windows and the People Behind

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Tiffany Troy

– Wedding-bound Million-Dollar Dream

– A Thank You Card

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K. Andrew Turner

– Monsters

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Victoria Twomey

– The Healing Properties of Tony B

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Agnes Vojta

– I don’t usually dream

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Laura Grace Weldon

– Butternut Ridge Cemetery

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Julia Wendell

– Owl

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Robin Wright

– Make-believe

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REVIEWS

Mike James 

– Howie Good’s Path of Most Resistance 

– A Review of James Dickey: A Literary Life

Kathleen Hellen: “veiled fatale”

About the Author: Kathleen Hellen’s collection Meet Me at the Bottom is forthcoming from Main Street Rag. Her credits include The Only Country Was the Color of My Skin, her award-winning collection Umberto’s Night, published by Washington Writers’ Publishing House, and two chapbooks, The Girl Who Loved Mothra and Pentimento. Featured on Poetry Daily and Verse Daily, her work has appeared in Arts & Letters, The Carolina QuarterlyCimarron ReviewColorado Review, Massachusetts ReviewNew LettersNimrodNorth American Review, Prairie SchoonerSalamander, The Sewanee ReviewSouthern Humanities Review, SubtropicsThe Sycamore ReviewTampa Review OnlineWest Branch, and Witness, among others. Hellen’s awards include the Thomas Merton poetry prize and prizes from the H.O.W. Journal and Washington Square Review, as well as individual artist awards from the Maryland State Arts Council and the Baltimore Office of Promotion & the Arts.

Image Credit: Pierre Amédée Marcel-Beronneau “Salomé, L’oiseau De Proie” Public domain image courtesy of Artvee.

John Compton: “Your Fear Becomes Holy”

your fear becomes holy,

your marriage frail. you decide mine will ruin yours.

your sentences pervert scripture. plagiarize what

you believe is real. what you claim to conjure

you want god to believe. if no one else loves you

why should he?
your fear becomes holy, 2

amen. let me turn your heads:
jesus never married, had disciples: men.
judas turned against him. jealousy
comes from the bed. if i can’t have you
no one can.

These two poems appear in John Compton’s new book the castration of a minor god, available from Ghost City Press

the castration of a minor god” is built like a classic opera, composed of many lyric passages full of strange and powerful images cast in words, where dresses of flames mix horrifically with our culture’s dishonesty and secret perversion to cast a searchlight onto earth from the heavens above where this thing called god tells us to love one another, fully, completely, without exception. Compton’s short book of poems answers the implicit and explicit questions that other Book poses. Without apology or fear, anger is met with anger, love with love. While sometimes his metaphors go too far, other times the images created are perfectly beautiful and compelling. This is a book that embraces what was forbidden love and shows the reader the universality of fear, desire, and belonging.

-Fred Dodsworth, Dodsworth Books

About the Author: john compton (b. 1987) is a gay poet who lives in Kentucky. He lives in a tiny town with his husband Josh and their dogs and cats.

Image Credit: Ernst Ludwig Kirchner “Head of Dr. Bauer” (1921) Public domain image courtesy of Artvee.

Tony Gloeggler: “For Mom”

For Mom

The brother who gave me a kidney
for my transplant sent me an email 
telling me not to wear my filthy
Yankee cap to mom’s funeral
out of respect for my mother. 
Mom knew how I felt and we grew 
closer while I helped take care 
of her the nine months before 
she died. Besides, she’d hardly 
notice lying in her closed casket 
and if she did, she’d laugh, shake 
her head and pull me in with her 
for a hug, ask if Judge homered 
in last night’s west coast game 
against the Angels. Jaime was a baby 
when Dad wanted to kick me out 
of the house for hair hanging past 
my shoulders and mom kept yelling, 
over my dead body, until the next door 
neighbors, the ones my other brother 
named The Gruesome’s to rhyme 
with Newsome, threatened to call 
the cops and Dad told them to mind 
their own friggin’ business and forgot 
all about my hair, me. Jaime never 
could guess how much it meant 
that mom kept asking about my writing, 
the only one in the family who read 
my poems and never asked why 
I wrote that or told me not to write
this, sometimes reminding me 
she was the one who taught me 
to read, leaning into her arms, 
my leg in its brace, laid flat across 
the couch when I couldn’t go 
out and play with the other kids 
who sometimes called me names, 
her finger underlining letters, 
pointing out words, making me 
repeat sounds, and though she only 
met Jesse, the severely autistic son 
of the woman I briefly lived with 
three, four, times at holiday dinners, 
she always wanted to know everything 
about him, delighted to hear he spent 
his weekend skiing or climbing on every 
roller coaster, every whirling scary ride 
at the summer fair, not like you Anthony, 
laughing again when I nodded yeah, 
Jesse still loves ripping books into piles 
of thin paper slices, orders chicken fingers, 
French fries extra hot any time we eat out, 
and then she made me promise to take
care of that kid, now a man, good.

About the Author: Tony Gloeggler is a life-long resident of NYC and managed group homes for the mentally challenged for over 40 years. His work has appeared in Rattle, New Ohio Review, Book Of Matches, Chiron Review, Nerve Cowboy. His most recent book, What Kind Of Man with NYQ Books, was a finalist for the 2021 Paterson Poetry Prize and long listed for Jacar Press’ Julie Suk Award.  

Image Credit: Édouard Vuillard “The Artist’s Mother Opening a Door” (1886) Public domain image courtesy of Artvee.

Susan Cossette: “The Bones Know”

The Bones Know

 
Mama orders beef shank for soup.
I shuffle small feet on the butcher’s sawdust floor,
wishing for that elusive marbled steak.

Gramma Erzebet and I chop carrots and celery
then quarter the parsnips and turnips.

Dolgozz tovább, Zsuzsu.
Keep working, Suzie.

We watch the flesh bubble from the bones
in her cast iron pot and know
we will have supper for days.

Later, the cats lick slick grey bones
tossed on the yellow and green linoleum.

Come May, Mama and I plant pink impatiens by the porch.
Knees pressed into the newly warm earth,
we discover discarded bones of slain birds and mice.

My bones remember every place I go.
Each taste, touch, smell, sight, and sound,
every memory buried in spongy marrow.

About the Author: Susan Cossette lives and writes in Minneapolis, Minnesota. The Author of Peggy Sue Messed Up, she is a recipient of the University of Connecticut’s Wallace Stevens Poetry Prize. A two-time Pushcart Prize nominee, her work has appeared or is forthcoming in Rust and Moth, The New York Quarterly, ONE ART, As it Ought to Be, Anti-Heroin Chic, The Amethyst Review, Crow & Cross Keys, Loch Raven Review, and in the anthologies Fast Fallen Women (Woodhall Press) and Tuesdays at Curley’s (Yuganta Press).

Image Credit: François Bonvin “Still Life” (1858) Public domain image courtesy of Artvee

John Dorsey: “At 45”

At 45

i have no time for rebellion
so i’ll take what comes easily
the sun hanging
over brown grass
like a clenched fist
a broken wine glass
in the sink since february
selling a better story
than any of us
can afford
a wolf spider climbing
a broken down amazon box
like sir edmund hillary
atop some snow covered peak
of desolation & boredom
worn out vinyl
recorded as rain fell on seattle
like the blood of the roman dead
in another lifetime
of raised voices & passionate song
where for a few seconds
we all get to feel young again.


About the Author:
 John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw’s Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015) Being the Fire (Tangerine Press, 2016) and Shoot the Messenger (Red Flag Poetry, 2017),Your Daughter’s Country (Blue Horse Press, 2019), Which Way to the River: Selected Poems 2016-2020 (OAC Books, 2020), Afterlife Karaoke (Crisis Chronicles Press, 2021) and Sundown at the Redneck Carnival, (Spartan Press, 2022).. His work has been nominated for the Pushcart Prize, Best of the Net, and the Stanley Hanks Memorial Poetry Prize. He was the winner of the 2019 Terri Award given out at the Poetry Rendezvous. He may be reached at archerevans@yahoo.com.

Image Credit: Chase Dimock “Cactus Patch in Joshua Tree” (2021)

Mike James: “Questions and Answers”

About the Author: Mike James makes his home outside Nashville, Tennessee. He has published in numerous magazines, large and small, throughout the country. His poetry collections include: Leftover Distances (Luchador), Parades (Alien Buddha), Jumping Drawbridges in Technicolor (Blue Horse), and Crows in the Jukebox (Bottom Dog.) In April, Red Hawk published his 20th collection, Portable Light: Poems 1991-2021.

Image Credit: Chase Dimock “Malibu Sunset” (2022)

Ruth Bavetta: “A Year Turned Upside Down”

A Year Turned Upside Down

Almost all of fall evaporated
in a flurry of sun. Mayweed’s stars 
immobilized by an embarrassment of heat. 

Come January, gardenias shot into scent,
clivia burst into a conflagration 
of orange. With winter annihilated,

spring spiraled into the disingenuous 
sugar of summer, sage withered, 
chaparral seethed in a flash of flame.

About the Author: Ruth Bavetta’s poems have appeared in North American Review, Nimrod, Rattle, Slant, American Journal of Poetry, and many other journals and anthologies. She likes the light on November afternoons, the music of Stravinsky, the smell of the ocean. She hates pretense, fundamentalism and sauerkraut.

Image Credit: Chase Dimock “California Mayweed” (2022)

Brian Boies “Cod Flashes”

Cod Flashes

Catch and release
but first, after
the flapping stops,
pull a paint-dripping brush
tight down both
sides of its body.
White to teach
a lesson about survival 
to it and
everyone who sees.

Highly visible
through the muck,
it will travel
far south, 
far north
hugging the river’s top ice
until the danger has passed.

I am painted white inside,
my muscles only know taught.
Different doctors say 
this shouldn’t be happening
to someone my age.
Why so wired
and meditation only makes it worse.
I am counting down.

Cod arrives
at its camouflage destination.
Maybe safe
but ghosts are also white.

Three sheets I layer
to cover the ice,
I too have found a home here.

A red fish fibrillates
inside me.
Seize,
unseize.
With a whimper,
arythma.

If the ghost is me,
if the ghost is which part of me,
fish can fellowship
and compare our woes of white.
Maybe the ghost will be only my mind
and haunting is a boast
of finally free.

But before,
we will sleep
me on these stacked sheets,
the cod, bobbing in the current,
exactly below
my meekly knocking heart.

About the Author: Brian Ed Boies lived by train tracks and transcribed train graffiti and used it as prompts.  This poem is from that process. He has been published by the National Endowment of the Arts and in Punk Planet and ZYZZYVA. A story of his was listed as Notable Nonrequired Reading in 2012. He lives in Sacramento with his wife and daughter.

Image Credit: Public Domain image originally from The history of esculent fish London: Printed for Edward Jeffrey [etc.],1794. Courtesy of the Biodiversity Heritage Library.