Two Prose Poems By Mike James

 

Moving Again

Not everything fits on the back of my motorcycle. For instance, neither my pet cactus nor my roommate cat travel well. Both claw me considerably in different ways. And my bike is not large. It’s the small engine type I never grew out of.

Thomas De Quincey knew it was time to move when no more books would fit on shelves and when bill collectors came more often than meals. I know it’s time when someone tells me. My jokes worn thinner than the cheapest tissue paper, which won’t absorb more than a shot glass of tears.

 

Gutter Angels

Identify not by wings, which mostly stay jacket-hidden, but by sadness which serves as eyeliner. Also, by any buffalo penny worn as a pendant. If wings are seen, feathers are frequently oily. Often a few lost on alley bets and during sidewalk waltzes. Be warned: when they crack their knuckles dreams escape. Mice can hear it. And dogs who so often come and happily lick their hands.

 

About the Author: Mike James is the author of eleven poetry collections. His most recent books include: First-Hand Accounts From Made-Up Places (Stubborn Mule Press) Crows in the Jukebox (Bottom Dog), My Favorite Houseguest (FutureCycle), and Peddler’s Blues (Main Street Rag.) He has previously served as associate editor for both The Kentucky Review and Autumn House Press. After years spent in South Carolina, Missouri, Pennsylvania, and Georgia, he now makes his home in Chapel Hill, North Carolina with his large family and a large assortment of cats.

 

More By Mike James

“Grace”

“Two Ghazals”

“Two Prose Poems”

 

Image Credit: “Barrel Cactus” C.R. Savage. (1870s) Digital Image Courtesy of the Getty Digital Collection

“Betty Doesn’t Know Who She Loves More” By Daniel Crocker

 

Betty Doesn’t Know Who She Loves More

Bruce is the sensitive type
a little nervous but
It’s nice when someone
really listens

Honestly, most of the time
she probably prefers him
Hulk tries, but his thoughts get
muddled. They go from rage
to depression and back again

But Bruce can be a little boring
at times with his talk of
quantum physics, cures and
medication

Hulk has something
and it’s not just the ripped
abs and cantaloupe biceps

Hulk once
knocked a man through
a wall for her

The man died

That says something, doesn’t it
That he would end everything
a man could possibly be so easily
wipe out a billion timelines

and maybe she just couldn’t
love one without the other

Both Bruce and Hulk
know their place
Neither are very happy with it
but it is what it is

and she knows something
they don’t. She knows they are in
love with each other. She couldn’t
force them to part. No, she’ll have both.
Thanks.

.

This poem appears in Daniel Crocker’s book Gamma Rays. For more information, check out this interview between our Managing Editor Chase Dimock and Daniel Crocker about his collection of Hulk inspired poetry.

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About the Author: Daniel Crocker’s work has appeared in The Los Angeles Review, Hobart, Big Muddy, New World Writing, Stirring, Juked, The Chiron Review, The Mas Tequila Review and over 100 others. His books include Like a Fish (full length) and The One Where I Ruin Your Childhood (e-chap with thousands of downloads) both from Sundress Publications. Green Bean Press published several of his books in the ’90s and early 2000s. These include People Everyday and Other Poems, Long Live the 2 of Spadesthe novel The Cornstalk Man and the short story collection Do Not Look Directly Into Me. He has also published several chapbooks through various presses. His newest full length collection of poetry, Shit House Rat, was published by Spartan Press in September of 2017. Stubborn Mule Press published Leadwood: New and Selected Poems—1998-2018 in October 2018. He was the first winner of the Gerald Locklin Prize in poetry. He is the editor of The Cape Rock (Southeast Missouri State University) and the co-editor of Trailer Park Quarterly. He’s also the host of the podcast, Sanesplaining, about poetry, mental illness and nerd stuff.

Welcome To The New As It Ought To Be Magazine

 

Starting today, As It Ought To Be has officially moved to its new name and site: As It Ought To Be Magazine. Aside from a new name, address, and an updated look, all the features of the classic AIOTB remain. Every article from the original site has been imported to the new one. There is a search bar on top where you can look for all of our posts from the past. We are in the process of building a catalog of our past articles, which you can access in the pages on the menu above. The old site will continue to exist as an archive, eventually under the address asitoughttobe.wordpress.com

We are committed to preserving the legacy of As It Ought To Be and guiding it into the future as As It Ought To Be Magazine. We have been fortunate to feature so many brilliant and talented writers and showcase original and challenging perspectives. As we progress into the future, we wish to continue to be a platform for established and emerging voices. Check out our “submit” page for more information on how you can have your work published on our site.

Thanks for your continued readership and support!

Chase Dimock
Managing Editor

 

“Dolly Floats” By Stephen Roger Powers

 

Dolly Floats

              2012

Pigeon Forge raised Dolly
up on eagle’s wings, and she flew
on those wings of an eagle while
the eagle stared down its nest at the front of the float
and followed it like a donkey after a carrot.
When the parade was over,
Dolly took the stairs through the eagle’s tail
feathers, and popped out the back
like an Easter egg.

              2013

Rocks, an inflatable dinghy, and fresco rapids
rushed forth a lifeguard station
with baywatchful Dolly waving a floatation
board and singing along to her own songs.
She lifted the hem of her red swim
skirt and blew one of the cherry
whistles sewn around it. Policemen
blocked the end where she got off,
so I traffic-sulked to Ole Smoky
Distillery, where I drowned
in samples of every flavor.

             2014

Ole Smoky was the first stop this year.
The guy in overalls who gave me free
cherries sanitized his hands
with White Lightnin’. By the time
I got to the parade, I was corned
for engine-and-ladder Dolly with blazing
spangle-sparkles on her hat.
Her nieces sat with fake
fireworks at the front of the roller-coaster
float. Some of Dolly’s hair stuck
in her lipstick. She pulled it free
and blew a kiss in one motion.

             2015

Dreams came true when Dolly, garnished in red
with gold trim, jack-in-the-boxed from a cake,
her great big yellow wig a flaming candle.
Her beefcake bodyguard hollered at the drone following.
It hovered off backwards like a scared puppy
because she posed her arms at it spread wide
for a picture. Sometimes I wonder if she gets tired
of waggling her hands this way, then that,
this way again, that way again.

            2016

My Tennessee cousin, some unknown
number of removes, called my new
Dollywood Gold Pass a roller coaster license.
The woman working the photo
booth took my picture for it a half-smile,
wind-disheveled second before I was ready. Six o’clock,
out paraded laced-up Dollyized lumberjack boots,
icepick heels more honed than usual. Dolly’s fashion
assistant fastened a seatbelt around Dolly’s waist.
A gristmill float or a riverboat float?
Depends how you looked at the paddle wheels
turning on each side. Blue and white
streamers were fluttery water fill-ins. Either way,
Dolly sat high enough to mark twain.

            2017

Antibiotics pinholed my right hip.
“If I take it easy do you think I could
go to Pigeon Forge on Friday
for Dolly’s annual parade?”
“No.”
Steroids pricked my left hip.
“But you don’t understand—”
“Absolutely not.”
No Dolly Parton on account of doctor’s orders.

             2018

Four months in advance Dolly
announces after 32 years grand
marshaling she will step
down. Social media smells
a conspiracy, because Dolly is guilty
of having stood between Lily and Jane
at the Emmys. Cal Ripken Jr.
will ride a mountain-mural
guitar. A giant baseball will roll
behind him. Maybe next year
the resonant frequency of everyone in the
world singing a Dolly song
at once will parade Dolly
out once more.

.

About the Author: Stephen Roger Powers started writing poetry almost twenty years ago to pass time in the middle of the night when he was too energized to sleep after coming off the stage in comedy clubs around the Midwest. He is the author of The Followers Tale and Hello, Stephen, both published by Salmon Poetry. Other work has appeared in 32 PoemsShenandoahThe Southern Poetry Anthology Volume V: GeorgiaRabbit Ears: TV Poems, and Stone, River, Sky: An Anthology of Georgia PoemsHe hasnt done stand-up in a long time, but every once in a while he finds avenues for the performer he was born to be. He was an extra in Joyful Noise with Queen Latifah and Dolly Parton, and he can be seen if you know just where to look.

“Remembering the Great Flood in the Frozen Food Aisle” By Ronnie Sirmans

 

REMEMBERING THE GREAT FLOOD IN THE FROZEN FOOD AISLE

0 g. Zero grams: No trans fats, according
to the big numeral and letter on the label.
As I rolled my cart past the frozen foods,
I’d first read zero grams as a word: Og.
The giant who died in the Great Flood.
Or did he?  Some say this freakish ruler
accompanied the ark. His anaconda-fingers
holding tight, his oxen-calves wrapped around
any wood that would not break, his walrus-torso
pressed firmly, resisting the rough breakers.
This supercenter — tools, groceries, sundries,
scented candles and oils of deserts and tropics,
live fish for pets, frozen-boxed fish for eating —
could serve as a modern sepulcher to the king.
Did Og relate to the pachyderms? Did Noah’s
daughters swoon? Can sea elephants blow kisses?
Or did this king’s domain and lineage conclude,
not like the dinosaurs in ash, but in a deluge?

I navigate toward an open aisle
in the archipelago of checkouts,
lighted numerals above cashiers
are north stars guiding my passage.
As I wait, I think Og shows: How little
we know about some very big things.
I get lost in some sermons’ sameness.
In church this Sunday morning,
they might even talk about Noah
or the other fantastic seafarer Jonah,
but I am instead listening to the beep
as an infrared scanner says this
is the price I must pay for a case
of bottled water, so much water.

.

About the Author: Ronnie Sirmans is a digital editor for a print newspaper in Atlanta, and his poems have appeared in Gargoyle, The South Carolina Review, Tar River Poetry, BlazeVOX, The American Journal of Poetry, Deep South Magazine, and elsewhere.

 

Image Credit: Digital photo collage by Chase Dimock

“Creatures of Our Better Nature” By John Dorsey

 

Creatures of Our Better Nature

as i stop to watch the gossip of a bluebird
through a dirty glass window
i think it is november
& i’m sipping champagne
on a half built deck
in the woods
that may never get finished

just me & some lonely bluebird
fluttering our wings
like crazed teenagers
mauling each other
in front of some steamy glass sunset
on some makeout mountain
that even time
can’t look away from  

for a few seconds i am that bird
& that bird is me

& we are both beautiful here

when all at once
the sun wraps its fingers
around our throats
& begins to sing.

.

About the Author: John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw’s Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015) Being the Fire (Tangerine Press, 2016) and Shoot the Messenger (Red Flag Press, 2017). He is the current Poet Laureate of Belle, MO. His work has been nominated for the Pushcart Prize. He may be reached at archerevans@yahoo.com

 

Image Credit: “Peacocks” by Melchior d’ Hondecoeter

“When I Was a Child” by Luis Cuauhtémoc Berriozábal

 

When I Was a Child

When I was a child
I had no need for tennis shoes.
I walked the unpaved 
roads of Zacatepec in sandals
sometimes barefoot and shirtless.

We ate small green mangos
from the neighbor’s trees
plucked sugarcane 
from passing trucks.
We had no need for money
to entertain ourselves.

Video games were not yet invented.
Shooting marbles was our game.
We played futbol in dusty fields
pretended to ride horses
on broomsticks.

Our black and white television
only had two channels.
I watched the Lone Ranger;
he spoke Spanish like me.

.

About the Author: Luis Cuauhtémoc Berriozábal, born in Mexico, lives in California and works in the mental health field in Los Angeles. His first book of poems, Raw Materials, was published by Pygmy Forest Press. His poetry has been published by Alternating Current Press, Blue Collar Review, Counterpunch, Deadbeat Press, New Polish Beat, Poet’s Democracy, and Ten Pages Press. His latest chapbook, Make the Light Mine, was published by Kendra Steiner Editions.

 

Image Credit: “Calle de Guadeloupe, Mexico” by William Henry Jackson Digital image courtesy of the Getty’s Open Content Program

“Robbie the Owl” By Ryan Quinn Flanagan

 

Robbie the Owl

My wife and I watch this show about this owl
who is not fit for the wild
and has imprinted on humans.

His name is Robbie the Owl.
He sits on their arms and eats handouts
because he doesn’t know how
to hunt for himself.

And they take him out to the forest each day.
Beat the ridges of leaves with sticks
to make the rabbits and squirrels run out
into the open.

Hoping Robbie will forget that he is a human
and remember he is a Great Horned Owl.

That his genetics will kick in.

Training him each night in the barn
to fly through impediments.
To learn to locate, manoeuver
and kill.

And Robbie does not disappoint.
When he kills his first rabbit and they
try to approach his kill, he throws
out his wings in dominance.

They step away
and could not be
prouder.

I tell my wife that I am proud of Robbie too.
That he is resurrecting the good name
of Robbie after that douchebag from Dirty Dancing
ruined it for everyone.

He’s bringing sexy back,
I say.

I think you really like Robbie,
she says.

I tell her I do
and show her my teeth
because it has been
awhile.

.

About the Author: Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many mounds of snow.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Cultural Weekly, In Between Hangovers, Red Fez, and The Oklahoma Review.

 

Image Credit: from A Book of Cheerful Cats and Other Animated Animals By JG Francis

SATURDAY POETRY SERIES PRESENTS: CAROLE BERNSTEIN

By Carole Bernstein:

PASTORAL

Sunny with the intensity of dream.
Huge balloony graffiti covered the stone
wall at the end of Avenue M,
where Iris Bloom took me to smoke a joint
and we cut Orchestra, second period.

Avenue M—was that it? some
concrete promontory, secret, above the subway
where it burst up into the light—we watched it
racket a while among the green backyards
like a real train from a real place, not Brooklyn,
and sink again.
The passengers, blinking,
would be headed for work, starting their day . . .

What possessed me that morning? I never cut school.
But we would not play that day,
our oboes lying in cases by our feet and books,
the reeds not in our mouths,
the joint passed, sipped at with the breath,
tentative, a new thing to do.
I took off my jacket, the breeze moved over my arms,
we felt lean as boys, we were
dangerous, unsexual, unobserved.

And then returned to the low building
and entered it,
blinded for a few seconds, believing
ourselves altered—the blackboard fathomless,
the passing bell shrieking.
Dull-lipped seemed the faces of the uninitiated.

By three the sun had faded, but
our smoke, its animal warmth, I thought it
scented the spring wind.

BACK TO LIFE

Daughter, delivered by an attendant:
silent and watchful in your orphanage smock
with the cartoon dog, and pilled mended pants.
A smell of mildew came from your shock

of sweaty, cropped black hair. Stuck to your chest,
in English and Chinese a name tag read
Happy Springtime: a name pressed
upon you by no father, mother. Closeted

from the world before you came to us, as if
in an ancient tomb carving of a child
rising from the grave in a flowing shift.
Freed from the humid earth, she almost smiles.

You don’t remember, but love to be told
how they brought you through the doors and you were ours.
But buried in you is that place, still. Were you cold,
solitary, left wanting, maybe for hours…

Don’t go there, I tell myself. Instead,
I grab you and inhale your fragrant head.

Today’s poems appear here today with permission from the poet.

Carole Bernstein’s second poetry collection Buried Alive: A To-Do List is forthcoming in Spring 2019 from Hanging Loose Press. She is also the author of Familiar (Hanging Loose Press)—which J. D. McClatchy called “an exhilarating book”—and a chapbook, And Stepped Away from the Circle (Sow’s Ear Press). Her poems have appeared in magazines including Antioch Review, Bridges, Button Jar, Chelsea, Light, Paterson Literary Review, Poetry, Shenandoah, and Yale Review. Her work has also been included in three anthologies: American Poetry: The Next Generation (Carnegie Mellon University Press), Unsettling America (Viking) and The Laurel Hill Poetry Anthology (Laurel Hill Press). She lives in Philadelphia and works as a freelance writer and marketing consultant.

Guest Editor’s Note: Carole Bernstein’s work carries an honest and relaxed tone, even as she addresses sensitive and intimate personal experiences. Reading her work is like being invited into her world as a close confidante, if just for a few moments. In “Pastoral,” Bernstein describes the newfound and sensual freedom that came from cutting class years ago in high school, allowing her and a friend to be “lean as boys” and feel “dangerous, unsexual, unobserved.” She resists romantic or sentimental treatment of the most personal and sentimental moments of life. In “Back to Life,” she presents, with unadorned comfort, the immediate love for a new daughter that was accompanied by “A smell of mildew came from your shock / of sweaty, cropped black hair.” Both of these poems are part of a new collection of work, Buried Alive: A To-Do List, forthcoming Spring 2019.

Want to read more by and about Carole Bernstein?
Buy Familiar on Amazon
Poetry Foundation
Hanging Loose Press





Guest Editor Alan Toltzis is the author of The Last Commandment. Recent work has appeared in print and online publications including Hummingbird, Right Hand Pointing, IthacaLit, r.k.v.r.y. Quarterly, and Cold Noon. Find him online at alantoltzis.com.



A NOTE FROM THE MANAGING EDITOR:

After nearly ten years as Contributing Editor of this series, it is an honor and a unique opportunity to share this space with a number of guest editors, including the editor featured here today. I am thrilled to usher in an era of new voices in poetry as the Managing Editor of this series.

Viva la poesia!
Sivan Butler-Rotholz, Managing Editor
Saturday Poetry Series, AIOTB

 

Small Gifts

“Boy Scouts At Bowling Field” The Library of Congress

Small Gifts

By Steve Cushman

 

Small Gifts

She held the ball of dryer lint out for me
said this will help you start a fire.  It
was the night before my first camping trip
with my son’s Boy Scout troop.  It’s
important, she said, to appear as if you
know what you’re doing. Thanks, I said,
but what  do I do with it?  She smiled,
took me by the hand and led me outside
lit the match and touched it to the lint ball.
She didn’t say anything else, and I didn’t ask,
As we watched the flame catch and grow.

.

About the Author: Steve Cushman has published three novels, including the 2004 Novello-Award Winning Portisville.  His first poetry collection, How Birds Fly, is the winner of the 2018 Lena Shull Book Award.