SATURDAY POETRY SERIES PRESENTS: LYTTON BELL

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Photo by Robert Sanders

JANE’S HEARTBREAK YARD SALE
By Lytton Bell

Who sells used sex toys at a garage sale?
I knew I had to pull over
as soon as I saw that table full of dildos
just to hear this woman’s story

A whole bed was for sale
and a claw-footed bathtub
a motorcycle, a large stack of books
lingerie and ten photo albums
Photo albums?
Leafing through, I could see that they were all
happy couple love photos:
their trip to Hawaii
backpacking through Europe
mountain climbing in Tibet

And I shouldn’t forget to mention all of the love notes
three huge cardboard boxes full of them. I picked one up:
I stood outside your window for hours last night
while you were sleeping
hoping you would feel me there, and pull open the curtain

I approached her as she sat by the cash box
wearing a pair of oversized pink sunglasses
So, this is everything he ever gave you? I asked her, trying to be nonchalant
She nodded
I was going to light it all on fire, she told me
But what’s the point?
True, I replied, not sure what else to say
She seemed so peaceful about it. Almost happy

Just then I noticed a pile of cds:
Jane’s Joy Ride Mix
Jane’s Taking a Bath Mix
Mix for Jane for When She’s Feeling a Little Blue
And one called
In Case of an Emergency, I LOVE YOU
It was sealed with yellow CAUTION tape
and had obviously never been opened

Can I buy this? I asked her
$3.50, she said
I gave her the money and put the cd in my car
and cried and could not open it


(Today’s poem originally appeared in Rattle , where it was a 2012 Rattle Poetry Prize Finalist, and appears here today with permission from the poet.)

Lytton Bell has published five books, won six poetry contests and performed at many California literary venues. Her work has appeared in over three dozen journals, web sites and e-zines. She lives in Sacramento, California. Lytton earned a poetry scholarship to the Pennsylvania Governor’s School for the Arts in 1988, where she studied with Deb Burnham and poet Len Roberts. She graduated Magna Cum Laude from Bryn Mawr College in 1993. Feel free to send Lytton an email at lytton_bell@hotmail.com.

Editor’s Note: Clear, narrative, and heartbreaking. Lytton Bell has a knack for relaying the real. What a fascinating moment, the intersection of these two lives, and how breathtaking the way their shared story speaks to us all.

Want to read more by and about Lytton Bell?
Poetica Erotica
Buy Nectar as an eBook from Amazon
Buy Body Image from Amazon

SATURDAY POETRY SERIES PRESENTS: VALENTINA GNUP

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WE SPEAK OF AUGUST
By Valentina Gnup

                       Alone in my kitchen, I copy
a chicken salad recipe from a Woman’s Day magazine
and plan tomorrow night’s dinner.

                       We don’t know what will happen
between one raindrop and the next,
yet we speak of August as if it were a contract,
a promise the sky made.

                       When I was twenty-five I married a drummer
and silenced him with disapproval.

                       Now I’m married to a poet—
he reads poems on the porch
and pets my head like a puppy.

                       My daughters grew tall as honeysuckle and left—
they took their soft skin, their buttermilk biscuit smell,
the endless hungers that organized my days.

                       My domain has shrunk to the narrow bone of my ankle.

                       I did what was asked.
I did what I feared.
Like every woman I have ever known,
I became my mother.

                       I stroll through the rows of houses and yards;
above me a skein of geese break in and out of formation—
fluid as laundry on a line.

                       Other women are out walking their dogs,
murmuring to the mothers inside their heads.

                       In the eastern sky the first star is out,
preparing for the long night of wishes.

                       At dusk every flower looks blue.


(Today’s poem originally appeared in Rattle , where it was given a Rattle Poetry Prize Honorable Mention in 2010, and appears here today with permission from the poet.)

Valentina Gnup has her MFA in creative writing from Antioch University Los Angeles. She is the winner of the Joy Harjo Poetry Prize from Cutthroat journal of the Arts and the Nuclear Age Peace Foundation’s Barbara Mandigo Kelly Peace Poetry Prize. In 2005 her chapbook Sparrow Octaves won the North Carolina Writers’ Network Mary Belle Campbell Book Publication Award. Her poems have appeared in the Hiram Poetry Review, Nimrod, Chelsea, Brooklyn Review, Crab Orchard Review and many others. She and her husband live in Portland, Oregon.

Editor’s Note: Today’s poem could be about regret or acceptance. It could be about rites of passage or about the inevitability of the cycle of life. The young woman makes mistakes. The experienced woman knows what it is to have made compromises, to have made sacrifices, to bend with the wind, and to become her mother. There is a nostalgia inherent in today’s piece; a longing not for the past, but a bittersweet looking both forward and back. Gnup’s startlingly honest reflection is paired with beautifully-wrought moments of language and imagery that heighten the joy and pain of a lived life.

Want to read more by and about Valentina Gnup?
The Best American Poetry
Nuclear Age Peace Foundation / wagingpeace.org
the-green-heart call

SATURDAY POETRY SERIES PRESENTS: LEIGH PHILLIPS

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DEAR NEW YORK CITY, LEARN GENTLE
By Leigh Phillips

The sky regrets itself. By sky, I mean me.
Don’t let yourself get lost
because you think someone’s going to find
you. The story goes: no one’s

going to find you. You’re going to be on the
highway sifting Mountain Dew
bottles full of trucker crank piss and trading
them to eye‑wild tweakers

for a ticket back to tender. You are what is
tender. By you, I mean me.
The song goes: Heart. Ribcage. Envelope.
Heart. Ribcage. Envelope.


(Today’s poem originally appeared in Thrush and appears here today with permission from the poet.)

Leigh Phillips is an Assistant Professor of English at Hostos Community College with the City University of New York. Her stories, memoirs, poems and criticism most recently appeared in Rhino, So to Speak: A Feminist Journal of Language and Art, and A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry, edited by Stacey Lynn Brown and Oliver de la Paz. She is currently writing an epistolary novel in verse, generously funded by a grant from the City University of New York Research Foundation.

Editor’s Note: Firstly, I am a sucker for a killer end-line. It is done well rarely. But what is even rarer is a truly fantastic opening line. The kind of entry that embraces you. “Dear New York City, Learn Gentle” is that rare poem that offers us a fantastic first line. The first stanza goes on to take me exactly where I want to be taken. Beautiful. Lyric. Telling. Guiding me into the second stanza, where I am ready to fall into the poem’s soft downy or resonant emotion. But, no. Suddenly there is Mountain Dew and piss and—where am I? But a soft turn and I find I’ve got a “ticket back to tender;” I’m back in the heartbeat of the lyric. And then I’m sung a lullaby that blends into dreamscape: “Heart. Ribcage. Envelope. / Heart. Ribcage. Envelope.” Today’s poem is both finely-wrought and an unpredictable experience. In that way, it deftly mirrors the city it was written for.

Want to read more by and about Leigh Phillips?
Anomalous Press
Union Station
The Offending Adam
Softblow
Mad Hatters Review

SATURDAY POETRY SERIES PRESENTS: CHRISTOPHER CRAWFORD

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SO GAY
By Christopher Crawford

How gay is it
for two men
to stroke
the same dog
at the same time.

                           What if they’re both
sitting on a sofa watching
When Harry Met Sally.

How about two men watching
the same gorgeous sunset
             from the same high ridge.

                           And if a man daydreaming
on a bus ride finds his eyes when focus returns,
             quite accidently, on the crotch
                           of the man seated opposite.

How about two men riding
a bus into a gorgeous sunset
or two gorgeous men watching
a sunset in silence. How about
two men daydreaming and stroking
a gorgeous dog and the dog makes
a strange deep sound of pleasure.

What if the men are old friends.
What if they’re brothers.
What if there’s music playing.


(Today’s poem originally appeared in Rattle, was a Pushcart Prize Nominee, and appears here today with permission from the poet.)

Christopher Crawford was born in Glasgow, Scotland. His poetry, essays and translations have appeared in magazines like The Cortland Review, Rattle, The Collagist, Agenda and elsewhere. His poems have been nominated for a couple of Pushcart prizes and he is a founding editor at B O D Y (bodyliterature.com).

Editor’s Note: We live in a day and age of extreme and imperative progress in the gay rights movement. Day by day, state by state, country by country, same-sex marriage is becoming legal and same-sex couples are fighting for—and winning—the rights they should have had all along. But the bigotry remains; the bullying, the violence. And this hatred is inextricably linked with language, with the politics inherent in language. When someone says “that’s so gay,” their intent may not be homophobic, but they are perpetuating discrimination none the less.

Today’s poem makes us consider the words we use—in our society, in our culture, in our day. What does it mean to be “so gay”? If you meditate upon the meaning of that phrase, Crawford shows us, you may discover the simple beauty of humanity.

Want to read more by and about Christopher Crawford?
The Cortland Review
Now Culture
Evergreen Review
The Collagist
Gray Sparrow

SATURDAY POETRY SERIES PRESENTS: TIM SUERMONDT

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BAYOU PIGEON
By Tim Suermondt

Crawfish shadows on the street
and a gossamer elm by the drugstore―

a blind man on the corner plays a saxophone―
the locals say “he sees with his heart”

and, darling, I think I know what they mean―
the world gives as much as it takes.


(Today’s poem originally appeared in Thrush Poetry Journal and appears here today with permission from the poet.)

Tim Suermondt is the author of two full-length collections: Trying to Help the Elephant Man Dance (The Backwaters Press, 2007 ) and Just Beautiful from New York Quarterly Books, 2010. He has published poems in Poetry, The Georgia Review, Blackbird, Able Muse, Prairie Schooner, PANK, Bellevue Literary Review and Stand Magazine (U.K.) and has poems forthcoming in Gargoyle, A Narrow Fellow and DMQ Review among others. After many years in Queens and Brooklyn, he has moved to Cambridge with his wife, the poet Pui Ying Wong.

Editor’s Note: Today’s poem offers us a little song, a little food for thought, and a little optimism. In the end, it’s all about perspective; how do you see the world?

Want to read more by and about Tim Suermondt?
The Backwater Press – Trying to Help the Elephant Man Dance
NYQ Books – Just Beautiful